Natalie

I didn't want to make this post but unfortunately my hand has been forced. Sentona Games told me this week, after ignoring me for two months, that they will not be paying me the $24,000 deferred…... I didn't want to make this post but unfortunately my hand has been forced. Sentona Games told me this week, after ignoring me for two months, that they will not be paying me the $24,000 deferred paym...

If you're in the game industry and use LinkedIn, please do me a favor and share my post about Sentona Games screwing me out of money I'm owed. Thank you

Donk. This Foone is under new management:

I'm Alice Averlong now.

Horror novel where the characters slowly realise they are being written by AI slop clunkers and cannot escape their mediocre doom

Marathon logo font that reads "START CROSS SEX HORMONES NOW RECLAIM YOUR BODY ABSOLUTION CAN BE YOURS, ALL YOU NEED TO DO IS TAKE IT"

Friends! ⭐

I’m looking for all kinds if people to test my new game with a focus on women and queer people.

If you would like to participate on this, please DM me! 😊💛

Latinas have been trying to save your libfem metoo ass

Picture of a newspaper with the headlines GENDER-BEND SHOCKER Kinky-sex suit gal is a man S(HE) HAS A HISTORY Bogus sex suit

Here's a reminder that the first of Jeffrey Epsteins victims to come forward was Ava Cordero in 2007. She was a transgender women so the media responded by calling her a "gender bender shocker" a "she he" and a "man"

mockup of Quote the robot shooting bolts in the Bushlands. I upscaled everything based on the original

a bunch of upscaled sprites

upscaled sprites #2

mockup of the first Sand zone area

the Cave Story mockup that almost came out officially.
I worked with the Cave Story publisher Nicalis for a few months developing a pixel art but higher resolution version of the game.

Pixel approved!
Here's also some upscaled sprites, showing options #pixelart

on their payments so that they can get a pay out, and that's it. Meanwhile they will blame and punish you for everything, regardless of who's actually responsible, no matter what the context, with zero oversight. When you put all that together, what the system does is actually *disable* people...

HUZZAH!

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There are countless websites that generate color palettes, but I needed a reusable package for my own apps. So I built dittoTones. 🟣

It mimics the perceptual DNA (Lightness/Chroma curves) of popular systems and blends them with your target hue → meodai.github.io/dittoTones/

Moving today. Little sad to say goodbye to the apartment we got married in, but also excited for our new home...

I grew up reading popular science in print, so seeing this today, so many years later, is magical

The media blackout on the hunger strikers is disgusting.

Nothing but puppets for the worst people in the UK.

I've yet to meet a person in the real world who has heard anything about it.

I'm a manic pixie dream WOMAN, actually.

Biting my tongue so I don’t go on my usual rant about how various awards should make space for games made outside of commercial contexts

Luca Ronconi's production of Niccolò Jommelli's opera "Fetonte" Set design by Mauro Pagano (1951-1988)

Tennessee Williams’s Suddenly Last Summer in 1998. Set design by Ralph Koltai (1924-2018)

Jean-Christophe Maillot's production of Faust. Set design by Rolf Sachs (b. 1955)

Simon Armitage's production of the Odyssey. Set design by Robert Wilson (1941-2025)

There should be more games inspired by avant-garde stage design.

T4T (Tism for Tism)

This Day in Labor History: November 22, 1909. Approximately 20,000 garment workers in New York City went on strike against the horrendous conditions of their sweatshops. This strike, known as the Uprising of the 20,000, was the largest strike led by women in American history to that time!!!

clearly i need to Post More Bird. as if that wasnt my sole purpose online already

Getting the hang of #blender extension development. So excited to be able to start showing people Materialize, particularly riggers. It combines geo-nodes and object/data-block creation to allow for procedural rigging and skinning.

It bought in some concepts from dependent typing and constraint solving however

Was pretty proud of the way I approached polymorphism and also dimensionality (like 2d/3d textures and four channel vs single outputs)

But making sure everything was consistent between the two representations was a bit of a drag

Ran into so many of these issues when I was trying to make wbbl happen. Did make the choice to separate the edit structure and runtime codegen one which had some nice upsides in that nodes that were similar structurally or visually could share logic where it made sense.

Rigging is such a fascinating field but I worry that by focusing so much on it, I'm not getting the animation practice I need.

Sounds nice. Back to the days before your toaster wasn't trying to surveil you...

I've always wanted something along the lines of augmented glasses to help with audio processing issues and recall/working memory but Meta doing it makes it too gross to consider

This is the longest I've spent on any single project in my life! Please remind your friends that Isopod is coming out tomorrow!

a very pretty shader experiment gone wrong (but also right in a way)

I SWEAR I wasn't TRYING to summon the demons of light please you have to understand