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Merzmensch aka Kosmopol (at unFiction)

@merzmensch

Antifa/scist. Writer, Artist, Researcher. Writing about Gen AI since 2017. Art, Dadaism, Japan, Transmedia. ๐Ÿ‡ฉ๐Ÿ‡ช๐Ÿ‡ฌ๐Ÿ‡ง๐Ÿ‡ฏ๐Ÿ‡ต merzmensch.com NEW: Book "KI-Kunst" ("AI-Art"), 2023, by Wagenbach Verlag. Exploring AI since 2016. Shalom!

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Latest posts by Merzmensch aka Kosmopol (at unFiction) @merzmensch

To second of third dinner? :D

07.03.2026 23:26 ๐Ÿ‘ 0 ๐Ÿ” 0 ๐Ÿ’ฌ 0 ๐Ÿ“Œ 0

Allegedly, it's because of European GDPR and DSA. Really? European moviemakers were huge part of Vimeo community. And which privacy data were in question for you to just skip it, "too tiresome, let's close it for Europe". Thinking about cancelling my membership.

07.03.2026 21:59 ๐Ÿ‘ 0 ๐Ÿ” 0 ๐Ÿ’ฌ 0 ๐Ÿ“Œ 0
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Ehm, @Vimeo, what's going on?
As a paying customer I don't only use it to host my videos, but I've used Vimeo since 2008 to discover new cinema people and video art (which was way better than Youtube). Are you serious? That's how my fav page looks like: vimeo.com/home/feed

07.03.2026 21:59 ๐Ÿ‘ 0 ๐Ÿ” 0 ๐Ÿ’ฌ 1 ๐Ÿ“Œ 0
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John Cage about advertising:

"Advertising's discredited itself. When they advertise something, we avoid it"

From: John Cage, A Year from Monday, 1967

I can relate. Advertising for profit, without self-convinction, will fail in modern times. I avoid ads and products they sell.

07.03.2026 12:44 ๐Ÿ‘ 0 ๐Ÿ” 0 ๐Ÿ’ฌ 0 ๐Ÿ“Œ 0

Call me old-fashioned, call me stupid, call me European. Just call me.

06.03.2026 23:37 ๐Ÿ‘ 0 ๐Ÿ” 0 ๐Ÿ’ฌ 1 ๐Ÿ“Œ 0
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Watching absolutely mesmerizing "Jane B. par Agnรจs V." (1988)

Varda re-creates Birkin in completely fantastic way. The time is an onion, being dissected by a camera's knife and you see the layers of our meta-fictional reality.

CUT! ๐Ÿ”ช

06.03.2026 23:35 ๐Ÿ‘ 1 ๐Ÿ” 0 ๐Ÿ’ฌ 0 ๐Ÿ“Œ 0
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John Cage about future of multimedial communication:

"Effect of videophone on travel? That we'll stay home, settling like gods for impressions we'll give of being everywhere at once?"

From: John Cage, A Year from Monday, 1967

06.03.2026 19:26 ๐Ÿ‘ 0 ๐Ÿ” 0 ๐Ÿ’ฌ 0 ๐Ÿ“Œ 0
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Still in awe by @Magnific_AI. It can restore photos perfectly. Here is me (on the left, with a friend) in my early years, 1980ies, as always in a theater. I spent my childhood in theaters, sweet memories. Left - Magnific-restored, right - original damaged photo.

06.03.2026 18:33 ๐Ÿ‘ 0 ๐Ÿ” 0 ๐Ÿ’ฌ 0 ๐Ÿ“Œ 0
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Fun fact: The shelf with books and magazines that I wrote or contributed to fell off the wall. It was probably too heavy. I've now used stronger screws. I feel kind of honored.

06.03.2026 10:26 ๐Ÿ‘ 2 ๐Ÿ” 0 ๐Ÿ’ฌ 0 ๐Ÿ“Œ 0
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Confusing and absurd copyright story around Mondrian's "Composition II with Red, Blue, and Yellowโ€ (1930).

"The estateโ€™s legal argument is more Dada than De Stijl" Aaron Moss
copyrightlately.com/...

05.03.2026 15:09 ๐Ÿ‘ 2 ๐Ÿ” 1 ๐Ÿ’ฌ 0 ๐Ÿ“Œ 0
Video thumbnail

#MerzmenschPresents:
POSTLIMEN

Coming 2026

05.03.2026 13:05 ๐Ÿ‘ 0 ๐Ÿ” 0 ๐Ÿ’ฌ 0 ๐Ÿ“Œ 0
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#MicroMERZ (2023)

โ€œHi, my name is VVA-5400, and this is Tom, my imaginary friend.โ€

04.03.2026 08:57 ๐Ÿ‘ 3 ๐Ÿ” 0 ๐Ÿ’ฌ 0 ๐Ÿ“Œ 0
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In our reading "Maschinen stimmen" about Poetry of humans and machines, we'll also mention you, dear poets - here a small selection - and we are thinking of you whose books are missing here.

03.03.2026 17:12 ๐Ÿ‘ 2 ๐Ÿ” 0 ๐Ÿ’ฌ 0 ๐Ÿ“Œ 0
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Heute!

maschinen stimmen
Gedichte zwischen Mensch & KI.
Franziska Ostermann & Merzmensch in Lesung und Gesprรคch
Morgen, am 3.3.2026 im Literaturhaus Kiel.
Franziska Ostermann @merzmensch.bsky.social @landesbibliothek.bsky.social

03.03.2026 14:20 ๐Ÿ‘ 2 ๐Ÿ” 2 ๐Ÿ’ฌ 0 ๐Ÿ“Œ 0

Yep, it's an upscaled Plato's Cave going on right now...

03.03.2026 13:57 ๐Ÿ‘ 0 ๐Ÿ” 0 ๐Ÿ’ฌ 0 ๐Ÿ“Œ 0

Oh ja! ๐Ÿ˜€

02.03.2026 13:19 ๐Ÿ‘ 1 ๐Ÿ” 0 ๐Ÿ’ฌ 0 ๐Ÿ“Œ 0
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maschinen stimmen
Gedichte zwischen Mensch & KI.
Franziska Ostermann & Merzmensch in Lesung und Gesprรคch
Morgen, am 3.3.2026 im Literaturhaus Kiel.
Franziska Ostermann @merzmensch.bsky.social @landesbibliothek.bsky.social

02.03.2026 13:18 ๐Ÿ‘ 1 ๐Ÿ” 0 ๐Ÿ’ฌ 0 ๐Ÿ“Œ 0

Ist doch wunderbar! Ein Dada-Kit zum Selbermachen! ๐Ÿ˜€

02.03.2026 10:09 ๐Ÿ‘ 1 ๐Ÿ” 0 ๐Ÿ’ฌ 1 ๐Ÿ“Œ 0
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Computational poetry! A prominent place in "Cybernetic Serendipity" (1968) is taken by poets! Alison Knowles, Nanni Balestrini, Margaret Masterman etc are using programming and algorithms to unleash poetic power, or to stumble upon wonderful system bugs. Bugs? Or more than that?

02.03.2026 10:06 ๐Ÿ‘ 5 ๐Ÿ” 1 ๐Ÿ’ฌ 0 ๐Ÿ“Œ 0

Stop the war.

And with "war" I mean this war.

And that war too.

And that over there as well.

Stop all wars.

And that one you oppose.

And this one you defend.

Stop all wars.

On all sides.

Get rid of guns.

There is only one thing to be exterminated: hate. In yourself.

02.03.2026 07:49 ๐Ÿ‘ 3 ๐Ÿ” 0 ๐Ÿ’ฌ 0 ๐Ÿ“Œ 0

Kommentarathletikdisziplinbeherrschungsnachweis.

02.03.2026 07:40 ๐Ÿ‘ 1 ๐Ÿ” 0 ๐Ÿ’ฌ 0 ๐Ÿ“Œ 0

Guten Morgen!

02.03.2026 07:39 ๐Ÿ‘ 1 ๐Ÿ” 0 ๐Ÿ’ฌ 0 ๐Ÿ“Œ 0

ใ‚ใ‚ŠใŒใจใ†๏ผๅฎŸใฏใ€๏ผ”ๆœˆ๏ผ•ๆ—ฅใซใใพใ™ใ€ไธ€็•ชๆœ€ๅพŒww

02.03.2026 07:36 ๐Ÿ‘ 0 ๐Ÿ” 0 ๐Ÿ’ฌ 0 ๐Ÿ“Œ 0

Yep, foreigner (?) here as well. I emigrated as teenager from Russia to Germany in the 1990ies. Now meanwhile with German citizenship. And I ask me: am I foreigner just for not being born here? Studying German literature, writing books in German, doing lectures meanwhile. What is "foreignness"?..

02.03.2026 07:35 ๐Ÿ‘ 2 ๐Ÿ” 0 ๐Ÿ’ฌ 0 ๐Ÿ“Œ 0

Dada DIY!

02.03.2026 06:36 ๐Ÿ‘ 0 ๐Ÿ” 0 ๐Ÿ’ฌ 1 ๐Ÿ“Œ 0
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Cabaret Voltaire Bausatz Nr.11

(legendรคres zรผricher Grรผndungslokal der internationalen Dada Bewegung)

Idee Writing Prompting AIart Realisation

Meister Jeder, Dadaist und Modellbauer 3/26
#dada #CabaretVoltaire #Zรผrich #Blister #Dadaismus

02.03.2026 06:32 ๐Ÿ‘ 2 ๐Ÿ” 1 ๐Ÿ’ฌ 1 ๐Ÿ“Œ 0

ใ„ใ„ใงใ™ใญใ€ใใฎ้€šใ‚Š๏ผ๐Ÿ™‚ ๆฑไบฌNodeใฎๆ”ปๆฎปๆฉŸๅ‹•้šŠexhibitionใง่ฒทใˆใ‚‹ใ‹ใช๏ผŸ็งใฏๅ››ๆœˆใซๆ—ฅๆœฌใธๆ—…่กŒใ‚’ใ—ใพใ™:)

02.03.2026 06:35 ๐Ÿ‘ 1 ๐Ÿ” 0 ๐Ÿ’ฌ 1 ๐Ÿ“Œ 0

ใ™ใ”ใ„๏ผๆฌฒใ—ใ„๏ฝž๏ผ

01.03.2026 19:39 ๐Ÿ‘ 1 ๐Ÿ” 0 ๐Ÿ’ฌ 1 ๐Ÿ“Œ 0
Preview
Jahrgang 1988: Nichtrรผckkehr von drei Sรคngern des Dresdner Kreuzchores Nach dem MfS vorliegenden Hinweisen haben im Rahmen einer Gastspielreise des Dresdener Kreuzchores in der Zeit vom 25. Oktober bis 13.

Faszinierendes Dokument รผber drei Sรคnger des Dresdner Knabenchors, die in Tokyo 1988 zur BRD Botschaft รผbergelaufen sind und nach Asyl baten. Liest sich wie ein Krimi!

01.03.2026 18:15 ๐Ÿ‘ 1 ๐Ÿ” 0 ๐Ÿ’ฌ 0 ๐Ÿ“Œ 0
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#MERZslop #0020
Unfinished slop.
I began with this drawing, but then I had an idea for a short video-poetry film. So I'm off to use my AI tools instead).

01.03.2026 12:05 ๐Ÿ‘ 2 ๐Ÿ” 0 ๐Ÿ’ฌ 0 ๐Ÿ“Œ 0