This kind of technique is good for search, but not accurate enough for a full transcription.
This kind of technique is good for search, but not accurate enough for a full transcription.
Open AI loses copyright case in Germany.
Judge Elke Schwager summarized the case saying that if you want to build something and need components, "then you purchase them and do not use the property of others."
In fact the most useful and effective bits of "AI" are automatic translation and search. As you would suspect given its origins in the application of hard core computing power (graphics processors) to old school natural language processing techniques (neural networks, but not just that).
Right, so that makes 1hr 33m per portfolio. Without sleeping or eating, or anything else, obvs. Erm... sue the university for cruel and unusual punishment?
The Tenth Late Medieval France and Burgundy Seminar, Durham, 12-13 December 2025: Tradition and Innovation Friday 12 December 12:45-13:15 – Meet at The Institute of Medieval and Early Modern Studies, 7 Owengate 13:15-14:15 – Session 1: French Monarchs and their Relatives ‘The Succession Dispute of 1316-17 and the Origins of the Hundred Years War’ – Justine Firnhaber-Baker (St Andrews) ‘A Diplomatic Anomaly in Valois-Luxembourg Relations? The Embassy of Charles V of France to Emperor Charles IV in 1372’ – Lili-May Borucki Yeh (St Andrews) 14:15-14:30 – Break 14:30-16:00 – Session 2: Judicial and Political Practices ‘Having a Stake in the Execution: Innovations in Capital Punishment by the Office of the Inquisition in Toulouse between 1283 and 1347’ – Héléna D. M. Lagréou (Dublin) ‘Defining Lordships for Fun and Profit’ – Erika Graham-Goering (Oslo, online) ‘The Cheese and the Corpses: A Microhistorical Approach to Loyalty and Legitimacy in Lancastrian Normandy, 1417-1437’ – Eleanor Bailey (Sheffield) 16:00-16:15 – Break 16:15-17:15 – Session 3: Images and Objects ‘Reimag(in)ing Tradition: Desire, Image, and the Innovation of Visual Ethics in Jean Wauquelin’s Belle Hélène de Constantinople’ – Rebecca Dixon (Liverpool) ‘Mallets and Other Weapons in the Uprising of the Maillotins’ – Samuel Richter (St Andrews) 17:15-18:15 – Drinks Reception 18:15 – Conference Dinner at Spice Lounge, Durham Market Place
Saturday 13 December 9:00-9:30 – Meet at The Department of History, 43 North Bailey 9:30-10:30 – Session 4: Noblewomen and Conflict ‘Gendering Political Allegiance in Late-Medieval Gascony’ – Katy Bennett (York) ‘Debates over Female Authority during the Guerre Folle in France, c.1485-88’ – Andrew D. M. Green (Chichester) 10:30-10:45 – Break 10:45-11:45 – Session 5: Old and New Approaches to Texts (i) Introduction – Graeme Small (Durham) ‘Innovative Middle Ages: Digital Humanities and Medieval Italian Studies (and Franco-Burgundian material)’ – Lorenzo Dell'Oso (Durham) Responses and Roundtable Discussion 11:45-12:00 – Break 12:00-13:00 – Session 6: Old and New Approaches to Texts (ii) ‘Les Cent Nouvelles Nouvelles : Tradition et Innovation depuis la Cour de Bourgogne jusqu’aux Presses Typographiques’ – Geoffrey Roger (U.L.I. Paris, online) ‘Upside-down Stemmatology: The Peace of Tournai (1385) and the Shape of the Manuscript Tradition of Froissart’s Chroniques’ – Godfried Croenen (Antwerp) & Natasha Romanova (Caen) 13:00-13:30 – Conference End and Discussion of Next Steps (for anyone interested)
A really exciting slate of papers for this year's Late Medieval France and Burgundy Seminar! If anyone will be in Durham and wants in (or maybe even wants to attend online, I don't know?), drop me a line and I can share details!
Still, all in a good cause. If not one with good historical foundations. Rumpole of the Bailey would be proud.
I like the footing. "Some academics". Good example for somebody though of the garbling of academic research (assuming they're thinking of something in particular) to support vague present-day normative assertions.
“Please sit down before you read the next sentence. The BBC Written Archives Centre has no catalogue of its holdings available to the public…Earlier this year, the BBC suddenly announced that it was altering its archival access policy. Enquiries from the general public are now ignored.”
🗃️
Handing back student work that’s been written by ChatGPT with a 0 followed by the comment “This essay will never stand in authentic wonder before the Beauty of God’s creation.”
Relative to, say, Kenilworth castle I mean. www.english-heritage.org.uk/visit/places...
Well, at least it's only 100km from Rome. Any idea of energy efficiency?
Tom Hamilton reçoit le prix Natalie Zemon Davis pour son très très grand livre. Un chef d’œuvre d’anthropologie judiciaire qui éclaire la sortie des guerres de religion: palpitant et virtuose. On ne pouvait rêver mieux pour ce beau prix !
If you're looking for a past or present castle/fortification at a known place in France it's perhaps just as easy to use the layered maps on the Geoportail website (including Cassini, but also military maps of C19, 1950s aerial photos) www.geoportail.gouv.fr/donnees/cart...
Wonderful.
Listen now: Who Owns The Ground Beneath Our Feet?
🔈 bureauoflostculture.podbean.com/e/who-owns-t...
📚 reaktionbooks.co.uk/work/contest...
Cool. Is it dated?
The Falkirk tartan, 3rd century
A delightful morning taking @hcaatedinburgh.bsky.social students around the National Museum of Scotland, including this, the earliest Scottish tartan (!)
"Original features have been reinstated, including floorboards, an ornate ceiling rose, cornicing, and a Victorian fireplace This exceptional four-bedroom house can be found on Talma Road, a residential street lined with Victorian townhouses near Brixton Station. The house, which has a large private garden, has been extensively remodelled and extended; the volume-enhancing design places a strong emphasis on light and the footprint of the house now extends to just over 1,500 sq ft internally The Building During the 1970s, the house was home - for a time - to activist Olive Morris, a prominent community leader in feminist, Black nationalist, and squatter's rights campaigns. Talma Road was one of several Brixton residences she occupied during her activism, and her legacy is now formally recognised with an English Heritage Blue Plaque on the façade, a quiet but powerful marker of the building's place in local and political history. The Tour The honse nrecente a emart farade to the ctreet with ite delirate icing and nitched hav windou The
1.4m
Olive Morris's former squat and centre for the Brixton Ad-Hoc Committee against Police Repression.
£1.4m
themodernhouse.com/sales-list/t...
www.decolonisingthearchive.com/remembering-...
Turn on the caps? 100% yes, for the benefit of everyone at every level of UK higher education’s system
🥳🥳🥳 Hâte de voir ce petit "passeport vers un territoire de femmes étrange et nouveau" entre toutes les mains 🫶🫶🫶
@saesfrance.org
Manuscrit de thèse en histoire : Des "Chevaliers de la Lune" au "Gay Tapant" ? : une histoire des homosexualités masculines dans le département du Nord (France, 1891-1987)
Après plusieurs années de recherche, elle est enfin là.
C'est demain. On vous attend (avec des cookie!)
Hurrah! My new book, Europe in the Eleventh Century: Beyond Revolution and Reform is officially published today by Oxford University Press. 1/5 global.oup.com/academic/pro...
Conférence – Hélène Noizet, « Les villes et l’eau : renouvellement des récits historiques »
rmblf.be/2025/10/15/c...
Séminaire – Hommes, femmes, masculin, féminin ? Genre et histoire
rmblf.be/2025/10/14/s...
1ere conférence d’un cycle de 4 organisé par la Mairie de Lille
Ici Pauline Triplet Doctorante IRHiS sur un contrat CIFRE entre l’ULille/IRHiS et la mairie de Lille
Publication – « Chutes et revers de fortune. Représentations et interprétations (XIIe-XVe siècles) », éd. Mathieu Caesar, Anne-Lydie Dubois
rmblf.be/2025/10/08/p...
A packed programme for this year's seminar in English for doctoral students at Lille. It's in hybrid form, so if you're interested in taking part, ask me for a Zoom link. irhis.univ-lille.fr/fileadmin/us...
📚 🗣️ Vous souhaitez inviter un·e auteur·ice pour une rencontre, dédicace ou table ronde ?
✅ Voici une checklist (non exhaustive), pour faire ça bien : www.canva.com/design/DAGz4...
🔁 Partagez, imprimez – et n'oubliez pas : auteur·ice, c'est notre métier, pas un hobby.