My latest film music review is of the score for the new version of the literary classic WUTHERING HEIGHTS. Score by Anthony Willis, original songs by Charli XCX.
@mmuk64
Englishman in California. Money laundering investigator. Film music critic, Movie Music UK, International Film Music Critics Association (IFMCA). Soccer fan, Sheffield Wednesday. Democratic socialist. www.moviemusicuk.us : www.filmmusiccritics.org
My latest film music review is of the score for the new version of the literary classic WUTHERING HEIGHTS. Score by Anthony Willis, original songs by Charli XCX.
My latest review in the Throwback Thirty series is of the score for the political drama/thriller CITY HALL, with music by Jerry Goldsmith.
Kicking off my coverage of 2026 with a review of the lovely rom-com score SOLO MIO, with music by Joy Ngiaw.
The winners of the 2025 IFMCA Awards have been revealed!
filmmusiccritics.org/2026/02/ifmc...
Save the date!
The winners of the 2025 IFMCA Awards will be announced at 9:00am PST this Thursday, February 26th 2025, **LIVE** on our Youtube channel, link below. You won't want to miss it! Who will win? Make sure you tune in and find out!
Here are the nominations for the 2025 IFMCA Awards!
filmmusiccritics.org/2026/02/ifmc...
Yeah, it just didn't click with me that much. It was fine, but I liked others more.
Presenting the 2025 Movie Music UK Awards!
Here are my choices for the best scores of 2025.
moviemusicuk.us/2026/02/06/m...
My latest film music review is of the score for Apple TV+ animated sci-fi adventure series WONDLA, with music by Joy Ngiaw.
My latest film music review is of the Oscar-nominated score for one of 2025's most critically acclaimed films, ONE BATTLE AFTER ANOTHER. Music by Jonny Greenwood.
My latest film music review is of the score for the British parody comedy FACKHAM HALL, with music by Oli Julian.
Today's events in Minneapolis. Furious. Appalled. Disgusted. I just don't know what we're supposed to do about all this. Democrat lawmakers need to step up and be counted. We can't let this continue. People are literally being executed in the street.
A maximalist Daniel Pemberton fantasy sci-fi action epic? This is what I signed up for.
My latest film music review is of the score for the comedy adventure ANACONDA, with music by David Fleming.
My latest film music review is of the score and songs for the smash-hit animated action musical K-POP DEMON HUNTERS. Score by Marcelo Zarvos. Songs produced by Mark Sonnenblick, Eun-Jae Kim, and Ian Eisendrath.
My latest review in the Throwback Thirty series - the final review of music from 1995 before I move on to 1996 - is of the score for the acclaimed action-thriller HEAT, with music by Elliot Goldenthal.
My latest review in the Throwback Thirty series - delayed a day to avoid New Year - is of the score for the lush period drama RESTORATION, with music by James Newton Howard.
My latest film music review is of the score for the blockbuster sci-fi sequel AVATAR: FIRE AND ASH, with music by Simon Franglen.
My latest review in the Throwback Thirty series - a day early for Christmas! - is of the score for the animated adventure film BALTO, with music by James Horner.
My latest film music review is of the score for the new James L. Brooks comedy drama ELLA MCCAY, with music by Hans Zimmer.
My latest review in the Throwback Thirty series is of the score for the inspirational drama MR. HOLLAND'S OPUS, with music by Michael Kamen.
My latest film music review is of the score for the Shakespeare-era drama HAMNET, with music by Max Richter.
My latest review in the Throwback Thirty series is of the Oscar-nominated score for the romantic drama SABRINA, with music by John Williams.
My latest film music review is of the score for smash hit musical sequel WICKED: FOR GOOD, with music by John Powell and Stephen Schwartz.
My latest review in the Throwback Thirty series is of the Oscar-nominated score for the political biopic NIXON, with music by John Williams.
My latest film music review is of the score for the satirical Hollywood-centric comedy/drama JAY KELLY, with music by Nicholas Britell.
My latest review in the Throwback Thirty series is of the Oscar-nominated score for the classic Jane Austen adaptation SENSE AND SENSIBILITY, with music by Patrick Doyle.