πWe are rejoining Erasmus. Official announcement tomorrowπ
www.theguardian.com/world/2025/d...
πWe are rejoining Erasmus. Official announcement tomorrowπ
www.theguardian.com/world/2025/d...
Gift of Mrs. Henry S. Redmond, 1947
Barbe
https://botfrens.com/collections/223/contents/97833
A turquoise book cover with a orange-red design on the front, Illuminating Media: Transmitting the Renaissance in England, 1400-1550.
Hey hey, itβs now official on Concordia UPβs website, 20% discount code KENNEDY2026 at CUP (CAN) or Chicago (USD, link in next post) for Illuminating Media: Transmitting the Renaissance in England, 1400-1550! concordia.ca/press/illumi...
it might seem surprising that the people who said βlook, let trans people live their lives, but i have Reasonable Concerns about sports and toiletsβ arenβt up in arms about this, but what you have to remember is that those people who said that are liars who were lying
@transparentaction.bsky.social @whatthetrans.com @heatherpaterson.co.uk
A helpful link for young trans π³οΈββ§οΈ people and their parents
woodcraft.org.uk/woodcraft-fo...
Some stunning miniatures on show #philipmould philipmould.com/content/feat...
My favourite, a love-locked, Hic Mulier inspired cat in a fab hat, c. 1615 ... 'young lady wearing a masculine-style
black & orange doublet & black hat (with hat jewel) & an orange sash' ... brava!
Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Countess Edna E. de Frise, 1960
Fan
https://botfrens.com/collections/223/contents/97265
8 DAYS UNTIL CONFERENCE!
Check out our online events offering throughout our four-day conference. We have poetry, theatre, conversation and much more- to view our full schedule visit our conference page.
#memosconf2025 #shakespeare #Islam #renaissance #history #literature #theatre
Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Robert B. Woodward, 1915
Collar
https://botfrens.com/collections/223/contents/99243
you donβt hate pie, you hate the pie enjoyerβs zest for life
New post on refugeehistory.org: were there refugees in 16thC England? Answer: it's complicated - migrants and the state were in the process of negotiating a form of refugee protection, which helps us to complicate notions of Britain's "proud history of welcome": tinyurl.com/bdyevr4d
Just out. I've written a major report (with David Edgar) looking at the effect of Covid on British Theatre. You can download it here: www.britishtheatreconsortium.co.uk/britishtheat...
FREE talk next week, plus you'll get to see some of the most fascinating livery company mss and a couple of pageant books π€© (remote attendance is also an option)
To book, go to www.cityoflondon.gov.uk/things-to-do...
I'm planning an interactive workshop on the senses and medical humanities, to be held in Leeds in July 2026. It will involve creative practitioners, academics, and clinicians. If this is something you'd be interested in attending, please drop me a message or reply to this post and we can chat more!
ON STRIKE AGAIN BECAUSE THE UNIVERSITY OF EDINBURGH REFUSES TO RULE OUT COMPULSORY REDUNDANCIES!
Advertisement. Robert Pask Stationer, at the Stationer's Arms and Inck-Bottle on the North side of the Royal Exchange, London: Hath made a Choice Sort of Black Inck in Hard Balls, with that Conveniency, that you may wear them about you, without any Damage to the Inck, or your Linnen. Cut a little of it into fair Water, or any Wine (except Red) and it will be immediately fit to write with. It is brought to that Goodnefs, it is fit for Records. The longer you keep it in Ball, Liquid, or in Writing, the better it grows. The Price is Six Pence a Ball. And they are for Quality and Quantity cheaper than any other Inck. Sold only at his own shop.
Maybe we should bring back wearing "a Choice Sort of Black Inck in Hard Balls, with that Conveniency, that you may wear them about you, without any Damage to the Inck, or your Linnen." just mix with any water or wine (except red)!
So the onus has to *also* be on students to want to learn and not just teachers whose labor is spread thin already between teaching, scholarship, and committees. We all bear a responsibility to guard our education and humanity (broadly defined) from bots. 3/3
The Malone Society grants are excellent and under-applied to! malonesociety.com/grants/ The deadline is end of November and they're announced in February
Some big news: the University of Birmingham is launching a new MA in Gender & Sexuality. It's interdisciplinary, with a focus on combining theory & practice. It's going to be amazing. I'm convening it: message or email with questions. www.birmingham.ac.uk/study/postgr... @unibirmingham.bsky.social
One of the most important things I have learned in my life is that how someone attempts to insult you says an awful lot about them.
This weekend, someone in my local community tried to insult me by saying I must be "an illegal" - that is, an undocumented immigrant.
1/
My profile is now viewable on the Rylands Institute website: www.library.manchester.ac.uk/rylands/abou...
I'll be based at the Rylands from December (2025) to May (2026) undertaking research on sensory experiences and perceptions of cancer. If you're in Manchester during that time, let me know!
Are you curious about the potential for archival practices to shape the study of emotion; why there are letters in the English State Papers labelled 'mad'; or how the culture & politics of Elizabethan England shaped people's experience of distress? Find out here! doi.org/10.1017/S008... #earlymodern
Thank you!! βΊοΈ
One of my RAs landed a permanent job in Madrid (which is awesome!) so I'm now advertising for a new one!
It's to work on my INTRECCI project on global histories of capitalism.
Please share with anyone interested and happy to answer questions.
www.jobs.manchester.ac.uk/Job/JobDetai...
Thank you! I'll get to teach Fletcher π±
Thank you! π
I'm chuffed to announce that I've just signed a contract with Manchester University Press to publish my book 'Plague and the Senses in Early Modern London'.
we will hang out in this time we simply must
β€οΈβ€οΈπ₯Ή