I should also immediately mention two translators whose work on interviews was helpful throughout the the show: @zeonicscans.bsky.social (zeonic-republic.net) and Haru from SHINSEIKI (shinseiki.blog).
My Japanese is limited (a major obstacle for proper research) so I'm very grateful for their work.
26.02.2026 21:42
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(For now, the most tenuous link is the connection between Khara and the New Anime Era Declaration; they clearly know of it (see: the Shin Seiki of Evangelion's title) but idk if it's still at the front of their minds.)
26.02.2026 21:42
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...I worry this interpretation is a bit simplistic but hey, that's what this research is for.
26.02.2026 21:42
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The show concludes as a triple message from Khara to Gundam: a love letter to the work that inspired them, a call to free Gundam from the patterns it is trapped forever retreading, and a declaration that they will, "with a deep hope and determination, seek out [their] own New Type."
26.02.2026 21:42
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The disaffection of the post-war youth and their hollow world, the discovery of Gundam and the promise of the Newtype, the disillusion when that promise fails to materialize, and the attempt to grasp that hope again.
26.02.2026 21:42
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By the final episode, the questions raised by these two sources seemed to be at the heart of GQuuuuuuX itself.
Hence my current reading of the show: GQuuuuuuX as an allegory for Khara's relationship with Gundam itself, culminating in a reaffirmation of the New Anime Era Declaration.
26.02.2026 21:42
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Second, this radio discussion with Kentaro Takekuma and Hiroki Azuma on the Otaku Generation and Evangelion, translated by @ehoba.bsky.social .
bsky.app/profile/twoa...
(Full discussion, untranslated: www.nicovideo.jp/watch/sm492126)
26.02.2026 21:42
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First, the New Anime Era Declaration, as translated by Sean Chapman and edited by @jonathanlack.bsky.social .
bsky.app/profile/twoa...
26.02.2026 21:42
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To start this thread, I need to mention two sources that set the context for my thinking about the show.
From the initial announcement to the final episode, these two sources were the core of my questions.
26.02.2026 21:42
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Research & bibliography thread for "Gundam GQuuuuuuX: Self-Portrait of a Generation", an upcoming convention presentation.
This will be an ongoing thread of sources on GQuuuuuuX, Gainax/Khara and the Gundam Generation.
26.02.2026 21:42
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This is the wisdom I needed to hear, thank you
24.02.2026 05:35
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saw a take that Eva is the first post-golden-age Gainax show; arguably Eva has never been "with Gainax" in the first place
23.02.2026 18:52
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Japanese: γ’γγͺγ¨ (atorie)
French (with English accent): ah-tuhl-ee-ay
English: uh-tell-ee-ay (huh, TIL)
more variation than I realized
20.02.2026 16:22
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o7
20.02.2026 14:10
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once again thinking about the New Anime Century Declaration...
19.02.2026 20:43
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he really doesn't miss
so nice to hear him in his piano-heavy mode, reminds me of Heike and A Silent Voice
19.02.2026 13:27
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paper surgery
(the laser cutting on this sheet was off by a full millimeter)
19.02.2026 01:21
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However, the HG GQuuuuuuX kits are particularly complex, approaching that of Real Grade kits (same size, higher internal complexity).
Ambitious, highly detailed, kinda non-standard, unusually tricky and maybe a bit of a rough introduction: much like GQuuuuuuX itself! π
17.02.2026 07:41
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High Grades are the "basic" level, smaller size and fairly simple construction. (They were cutting edge when the name was first introduced in 1990, but what was once a High level of quality has now become standard.)
17.02.2026 07:41
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Oh I've seen that hand stabilizer around, curious how it works for you
17.02.2026 01:19
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watched Royal Space Force: The Wings of HonnΓͺamise for the first time
what a movie
14.02.2026 02:10
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Would also be interesting to compare anime- and non-anime-community performance. Would not be surprised if presence on Netflix led to higher non-community performance (and thus higher overall), but lower community perf. (and thus staying power, though that might be more about the "drop" format.)
13.02.2026 15:32
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Anecdotally, presence on Netflix might bring shows to a wider audience. I once assumed a friend-of-a-friend was a mid-2000s otaku because they made an Ouran joke but no, they'd just seen it on Netflix. (I found this out by making an Eva joke, then floundering for 30 sec trying to explain Eva.)
13.02.2026 15:32
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Is anyone here knowledgeable about the Gundam generation? (i.e. the New Anime Era Declaration generation, ~= Gen X / Shinjinrui?)
I'm working on a reading of GQuuuuuuX as allegory for Khara's relationship with Gundam, but it's not as well sourced as I'd like; looking for someone to poke holes in it
12.02.2026 21:22
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Oh, two more if you want to count the two Base Jabber variants, but of course those are polycapless lol
13.02.2026 01:59
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I thought I remembered something about a shared polycap runner, so I double-checked via Dalong.
This runner (PC-210) was used for all but four of the RE/100: the very first (Nightingale; uses PC-209) and the three newest molds (Zaku II FZ, Shokew, and Den'an-Gei; polycapless).
13.02.2026 01:59
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Huh, that's decidedly not ye olden times at all
13.02.2026 01:38
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Ye olden days (I assume, what kit is this?)
13.02.2026 01:33
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Is anyone here knowledgeable about the Gundam generation? (i.e. the New Anime Era Declaration generation, ~= Gen X / Shinjinrui?)
I'm working on a reading of GQuuuuuuX as allegory for Khara's relationship with Gundam, but it's not as well sourced as I'd like; looking for someone to poke holes in it
12.02.2026 21:22
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