My review of Paul Wood's "Biting the Hand" published on Art.Hist. The artist Paul Wood, living in Milton Keynes, was a member of the Art & Language group of artists. URL: arthist.net/reviews/49647
#PaulWood #Art&Language #ConceptArt #arttheory #openuniversitymiltonkeynes #NewportCollegeofArt
Sol LeWitt: Structures with Open Cubes, since 1965. In: Dreher, Thomas: Differenz und Indifferenz. In: Künstler. Kritisches Lexikon der Gegenwartskunst. Issue 6, Munich 1989, p.6f. PDF with new illustrations: dreher.netzliteratur.net/3_Konzeptkun...
#conceptart #minimalart #sollewitt
Robert Smithson: Double Non-Site, 1968. In: Dreher, Thomas: Epistrata. In: Künstler. Kritisches Lexikon der Gegenwartskunst. Issue 28, Munich 1994, p.6. PDF with new illustrations: URL: dreher.netzliteratur.net/6_LandArt_Sm...
#landart #landartist #Robertsmithson #earthworks #nonsite
Robert Morris: Continuous Project Altered Daily, 1969. Installation. Documentation as leporello, Multiples, Inc., New York 1970. More informations in: URL: dreher.netzliteratur.net/6_LandArt_Mo...
#RobertMorris #antiform #earthart #minimalart #landart #installationart #installationartist
History of Computer Art, HTML versions: I updated the embed codes (YouTube, Vimeo and dailymotion changed them). Now you can see the videos within the text and go to the videos on the platforms.
All versions of the "History of Computer Art": URL: iasl.uni-muenchen.de/links/GCA_In...
without addresses (1997/2024)
by Joachim Blank & Karl Heinz Jeron
The Zentrum für Netzkunst has undertaken an extensive reconstruction project this year. The canonical work 'without addresses' by the Berlin artist duo was developed and produced for documenta X in 1997:
netzkunst.berlin/wa
Jackson Pollock: Number 7, 1952. Enamel on canvas with dabs of oil paint in yellow and orange. Metropolitan Museum of Art, New York. More informations: Dreher, Thomas: Flecken, Wolken und Projektionen. In: Kunstforum, Vol.202/2010, p.59. Internet: URL: dreher.netzliteratur.net/8_Konzeptuel...
