Savvye

Black-and-white self-portrait of a masked figure standing beneath a DART bus stop sign in Dallas, Texas. The subject wears glasses, a beanie, and a hoodie, gazing slightly upward. Power lines and trees frame the urban backdrop, evoking solitude and quiet vigilance.

Extraction Pause, 2025
Waiting, masked, marked. The geometry of transit and surveillance—where stillness becomes resistance. Shot on #leicaq2 in Dallas. #selfportrait #DallasArt #urbanstillness #EmotionalAngularism #blackandwhitephotography #Savvye

Charleroi, Sports Arena

#Brutalism
#SilenceSpeaks #FritzRuhmann
#LeicaQ2 #Monochrome #Photography
#PhotographersOfBlueSky #B&W #Byn
#DigitalPhotography #MJPhotography

Ljubljana, Living House

#Brutalism
#SilenceSpeaks #FritzRuhmann
#LeicaQ2 #Monochrome #Photography
#Midjourney #B&W #DigitalPhotography

#Brutalism #FritzRuhmann
#Midjourney #LeicaQ2 #Black&White #Photography

#Brutalism #FritzRuhmann #Midjourney #LeicaQ2 #Black&White #Photography

Wishing you happiness, peace, and love on this and every day! ❤️💐

Happy day of Trans remembrance to those who we have lost to hate, senseless violence and mental illness. I am grateful to be here and continue this life even in its current timeline. #transdayofremembrance #trans

Healed Soothed & Harmonious

Colored Pencil on Paper 9x12”

#contemporaryart #drawing #intuitiveart #fineart #art #traditionalart #artonpaper #abstract #automaticdrawing #expressivedrawing #surrealautomatism #contemporarydrawing #mappingthemoment #eleventyeleven

Fork, Limes & KISS (RIP Ace Frehley) | Acrylic on Canvas Board | 16” x 20” | 2001
#acefrehley #childhoodhero #1970s

Night of the Living Dodo | Acrylic on Canvas | 5” x 7” | 2010
#extinction #halloweenart #revenge

"Four Trees" by Egon Schiele captures a dramatic autumnal landscape with vibrant hues of orange, red, and purple under a striking sunset sky. The composition reflects Schiele’s signature style with its expressive color palette and linear forms, conveying both the beauty and underlying tension of nature.

Four Trees, 1917
https://botfrens.com/collections/88/contents/25816

"Woman with Greyhound (Edith Schiele)" by Egon Schiele features the artist's distinctive expressive line work and use of bold color contrasts to depict his spouse Edith and a greyhound. Known for his poignant portraits and exploration of human emotion, Schiele captures a sense of intimacy and subtle tension in this piece.

Woman with Greyhound (Edith Schiele), 1916
https://botfrens.com/collections/88/contents/25806

Egon Schiele's "Krumau Town Crescent I" captures the tightly packed rooftops and twisting streets of Český Krumlov with bold outlines and vibrant ochre and earthy tones. The painting reflects Schiele’s fascination with the town’s medieval architecture and conveys a sense of distorted yet intimate urban life.

Krumau Town Crescent I, 1915
https://botfrens.com/collections/88/contents/25732

Egon Schiele's "Two Little Girls" features a delicate watercolor portrayal of two young girls exuding both innocence and introspection, characteristic of Schiele's exploration of human emotion and expression. The artist's distinct use of line and color highlights the figures' ethereal presence against a minimalist background, embodying Schiele's unique expressionist style.

Two Little Girls, 1911
https://botfrens.com/collections/88/contents/25178

This artwork by Egon Schiele features an intriguing self-portrait characterized by his distinctive angular style and expressive use of color, particularly in the prominent orange and gray cloak enveloping the figure. The piece reflects Schiele's fascination with psychological and emotional depth, typical of the Austrian Expressionist movement.

I Love Antitheses, 1912
https://botfrens.com/collections/88/contents/25242

Bequest of Scofield Thayer, 1982

Self-Portrait, 1911
https://botfrens.com/collections/88/contents/123508

Mixed media self-portrait showing a Black man with one hand partially covering their face, fingers spread to reveal one eye while obscuring the other. He wears a geometric yellow beanie crown and blue garment with visible watch. Behind the figure, jagged orange and red shapes suggesting both autumn leaves and flames create a turbulent background. The work uses visible pencil and pastel strokes in an expressionist style, with asymmetrical features and intense gaze conveying emotional complexity. Part of the Emotional Angularism movement using geometric constraint to map internal states.

Mixed media self-portrait showing a Black man with one hand partially covering their face, fingers spread to reveal one eye while obscuring the other. He wears a geometric yellow beanie crown and blue garment with visible watch. Behind the figure, jagged orange and red shapes suggesting both autumn leaves and flames create a turbulent background. The work uses visible pencil and pastel strokes in an expressionist style, with asymmetrical features and intense gaze conveying emotional complexity. Part of the Emotional Angularism movement using geometric constraint to map internal states. A black-and-white reference photograph of the artist, Savvye, is to the left of the piece.

The Burning Time, 2025. Emotional Angularism study where autumn performs its annual fury. When natural cycles mirror internal combustion—leaves as flames, crowns as burden, vision fractured through protective gesture. #EmotionalAngularism #OutsiderArt #AbstractPortraiture #PoliticalArt

Mixed media self-portrait study on clipboard showing a Black man with glasses, blue geometric beard, and prominently scaled yellow hand across chest. The portrait uses bold color notation—blue extending from head area, yellow for skin tone, against neutral background. Charcoal, soft pastels, and fineliner on watercolor paper. Reference photograph visible beneath shows same pose. Art supplies scattered around workspace. Signed "S 2025" lower right. #EmotionalAngularism #Savvye #OutsiderArt #ContemporaryDrawing #AbstractPortraiture #ArtAsAdvocacy #BlackArtists #MixedMediaArt #StudioPractice #ColorTheory #GeometricExpressionism #ArtistStudy #CharcoalAndPastel #ArchesPaper #ContemporaryArt

Mixed media self-portrait study on clipboard showing a Black man with glasses, blue geometric beard, and prominently scaled yellow hand across chest. The portrait uses bold color notation—blue extending from head area, yellow for skin tone, against neutral background. Charcoal, soft pastels, and fineliner on watercolor paper. Reference photograph visible beneath shows same pose. Art supplies scattered around workspace. Signed "S 2025" lower right. #EmotionalAngularism #Savvye #OutsiderArt #ContemporaryDrawing #AbstractPortraiture #ArtAsAdvocacy #BlackArtists #MixedMediaArt #StudioPractice #ColorTheory #GeometricExpressionism #ArtistStudy #CharcoalAndPastel #ArchesPaper #ContemporaryArt

Working Rage, 2925
Study, Emotional Angularism. Charcoal, soft pastels, Stabilo 88 fineliners, and pencil on Arches cold-pressed watercolor paper. The yellow notation carries decades of navigation between "not enough" and "too much"—a chromatic reclamation in preparation for larger EA paintings.

Colored pencil and pastel self-portrait study of a Black man with glasses and graying, blue beard, his right hand covering most of his face in a defensive or contemplative gesture. His watch is visible on the raised wrist. The drawing emphasizes emotional weight through the protective hand position against warm paper tone. This portrait is an early example of Emotional Angularism.

Study complete. When the weight becomes gesture, and gesture becomes form. —Savvye

#Savvye #OutsiderArt #ContemporaryDrawing #PortraitStudy #EmotionalAngularism #ArtistOnBlueSky #FigurativeArt #ColoredPencilArt #StudioPractice #DrawingProcess

In-progress abstract self-portrait on white paper showing a Black man with angular, geometric features. Bold yellow covers the head area like a crown or protective covering. Intense blue and black defines the beard area. Eyes are wide and penetrating, rendered in stark contrasts. The style uses sharp angles and bold color zones rather than realistic curves. A reference photograph is visible to the right showing the artist making a dramatic expression. Oil pastel or crayon on paper, approximately 18x24 inches. Work by Savvye exploring Emotional Angularism."

Emotional Angularism Self-Portrait in Progress. Each angle a choice. By Savvye.

#EmotionalAngularism #SavvyeArt #AbstractPortraiture #GeometricExpressionism #ContemporaryPainting #StudioProcess #ArtInProgress #BlackArtists #OutsiderArt #PoliticalColor #ArtAsAdvocacy #AbstractArt #PortraitArt

Why hasn't anyone congratulated my ОС
on "Good Орраі Day" (いいおっぱいの日) yet? You can fix that, I'm
waiting!

Pojiuha - Artist | Unemployed I draw women... sometimes with horns, sometimes without horns.

Support me on
boosty.to/pojiuha

Emotional Angularism sketch translating a photograph of a young Black man with vitiligo into geometric notation. Sharp angular lines define facial structure while maintaining the subject's distinct skin pigmentation patterns. Blue shirt and red pants rendered in bold zones. The vitiligo is integrated into the composition's angular language rather than hidden, making visible difference part of the structural emotion. Spiral sketchpad, mixed media. #EmotionalAngularism #VitiligoArt #GeometricPortraiture #OutsiderArt #AbstractFiguration #DisabilityInArt #IdentityThroughAngles #ContemporaryDrawing #ArtAsAdvocacy #VisibleDifference #AngularExpression #ReclamationArt #PortraitureReimagined #ColorZoneSystem #MarginalizationInArt

I've always seen beauty in those who are often overlooked by our "typical" compatriots. I will draw this young man more formally soon.

This is the setup for my first Emotional Angularistic painting. I'm super-jazzed! Watch this space!

Self-portrait drawing by Savvye placed beside Ansel Adams' Zone System chart (0-255 grayscale values). The juxtaposition illustrates Emotional Angularism's revolutionary concept: translating Adams' systematic tonal zones into a color-based emotional notation system, where specific hues map to emotional temperatures with photographic precision. #EmotionalAngularism #SavvyeEA #EAZoneSystem #EmotionalNotation #ColorZones #SystematicEmotion #BeyondAdams #EmotionalTemperature #AngularSelfPortrait #ColorAsStructure #OutsiderInnovation #AbstractSystem #GeometricFeeling #ArtAsLanguage #PioneeringEA

This is real. I'm so excited!

#EmotionalAngularism #SavvyeEA #EAZoneSystem #EmotionalNotation #ColorZones #SystematicEmotion #BeyondAdams #EmotionalTemperature #AngularSelfPortrait #ColorAsStructure #OutsiderInnovation #AbstractSystem #GeometricFeeling #ArtAsLanguage #PioneeringEA

#drawing #mixedmedia #charcoaldrawing #figurativeart #pasteldrawing #portrait #modernportrait #portraitdrawing #portraiture #portraitartist #art #visualart #2025art #artist #abstract #abstractart #abstractportrait #abstractface #abstractfigurative #figuredrawing #flares #green

A dramatic charcoal self-portrait study on paper showing a close-up face with angular geometric shading. Red accents highlight the eyes and lips, which feature bold black vertical lines. The sculptural treatment uses strong diagonal shadows to create an intense, mask-like quality that transforms emotion into architectural form. #EmotionalAngularism #Savvye #ContemporaryDrawing #GeometricExpressionism #CharcoalArt #SelfPortrait #OutsiderArt #AbstractPortrait #ArtistOnBlueSky #DrawingStudy #ContemporaryArt #StudioPractice

Emotional Angularism study on paper. Working through the fundamentals of mapping feeling to angle—how geometry can carry identity and expression. The red zones mark emotional temperature while charcoal builds the structural vocabulary. Each line is a decision about what to reveal and contain.

'Dudson (Hope Street)'
Charcoal and Varnish on Paper
Wilson55. Nantwich.
www.wilson55.com/auction/deta...

'La route de Chenôve
(Vignobles d'automne)"
Oil Paint

Two Doors Studio. Alsager.
alsager.nub.news/whats-on/art...

Brilliant! 💐