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Ian Potter

@ianzpotter

Writes, talks, listens, reads. Not always in that order. Writer for BBC, Big Finish, Obverse Books, RiffTrax, Jim French's Imagination Theatre and money.

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Latest posts by Ian Potter @ianzpotter

Preview
The Bride (2026) The Screenwriter likes it and #metoo

An International Women's Day conversation about The Bride!

vocal.media/geeks/the-br...

09.03.2026 12:17 πŸ‘ 1 πŸ” 2 πŸ’¬ 0 πŸ“Œ 0

Magic.

09.03.2026 09:25 πŸ‘ 0 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

@spinkysmama.bsky.social I have seen TV news that makes me sad for Jim. I had hoped she'd see the Trinity at the end of 72.

08.03.2026 21:57 πŸ‘ 2 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0

Ooh, it might be. Time Rotor is such a weird fan authenticity thing filtering into the show when the Hartnell years are "control column"ing along like billy-o, week after week.

08.03.2026 21:37 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

Ben Miles is currently appearing at the Billinge Alhambra in his acclaimed one-man show "What do Spandau Ballet look like now?"

08.03.2026 21:22 πŸ‘ 0 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

It's probably not there then. My trace questionable memory is of describing the lab and the moving chairs with a not like Who/Blake aside.

08.03.2026 20:45 πŸ‘ 1 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0

I think the Faber published text of Cold Lazarus has an explicit 'not like Who' (or possibly Blake's 7) stage direction. I'll have a look on Monday.
The other glory of "blossomest blossom" for a Who fan is its happy echo of "the daisiest daisy".

08.03.2026 20:25 πŸ‘ 2 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0

2, "Roundel": All over scripts and extended media but only Stephen Gallagher dares use it on screen, 3 times in one scene (this is an important and exciting Turlough arc scene so Eric Saward may have come in here).

08.03.2026 20:08 πŸ‘ 4 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0

#WhoBore TV Doctor Who writers' particular idioms- possibly part of an irregular and ongoing series of half-baked observations, when I'm bored and remember. 1, Talking about "the fair sex": Robert Holmes, and Robert Holmes only.

08.03.2026 20:02 πŸ‘ 5 πŸ” 1 πŸ’¬ 1 πŸ“Œ 0

International Play "I Feel Love" on Two Shows in a Row Day on 6Music.

08.03.2026 13:26 πŸ‘ 0 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

The pull out quote for me is "There’s more profit in noticing the ways in which we’re different than there is in noticing the ways in which we’re similar."

08.03.2026 13:06 πŸ‘ 9 πŸ” 2 πŸ’¬ 0 πŸ“Œ 0

Christy Nolan had let them down just one time too often.

08.03.2026 12:28 πŸ‘ 0 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

Is that because of how long it now takes you to manage a kick and recover afterwards?

07.03.2026 16:39 πŸ‘ 0 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0

Sadly, they ran out of Latin for new episode titles.

07.03.2026 09:18 πŸ‘ 2 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

I thought you might have been referring to some long shots on film in the Letts' version where it's said Trevor Peacock isn't being Quilp yet (never seen it). It's the Kyd illustration I blame, that's clearly why Troughton gets the gig.

07.03.2026 00:34 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

Have you seen that weird YTV all star Dickensian thingummy? Pat does his Quilp in that.

07.03.2026 00:21 πŸ‘ 0 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0

How did you feel about the way ITV approached that in the Toby Jones version? I thought it really worked.

07.03.2026 00:05 πŸ‘ 0 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0

The cartoony hat Q needs a pair of wicked eyes with bushy eyebrows. They've not been paying enough attention to those Scrooge and Oliver! posters.

06.03.2026 22:37 πŸ‘ 2 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0
Preview
RiffTrax Presents: The Ghost Ship (with Matthew J. Elliott and Ian Potter) When we hear the words "Ghost Ship,"Β our minds immediately turn to the classic 2002 not-very-good supernatural thriller of that name (Remember the scene where the passengers get cut in half by that

All aboard THE GHOST SHIP! It's time for NEW BritTrax! www.rifftrax.com/the-ghost-ship

06.03.2026 22:03 πŸ‘ 46 πŸ” 7 πŸ’¬ 2 πŸ“Œ 0

Contains jokes. Many of them are excellent.

06.03.2026 21:06 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

And... being a bit silly on Bluesky, that too.

06.03.2026 14:16 πŸ‘ 0 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

Of course, there are! It's the number one route to becoming a creative seeker of knowledge and to exploring our pasts.

06.03.2026 14:15 πŸ‘ 1 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0

And, if you need West Midlands accents for your prehistoric Earth Reptiles, give me a call.

06.03.2026 14:11 πŸ‘ 2 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

Silurians vs. Krynoids @bigfinish.bsky.social. Writes itself.

06.03.2026 14:01 πŸ‘ 7 πŸ” 1 πŸ’¬ 2 πŸ“Œ 0

Naturally, the second "copyright" should have been property. I wrote the above in a rush in a break from work. I am however glad I wrote it myself rather than giving the job of thinking and expressing my views over to an approximation device that can't understand nuance and can only offer pastiche.

06.03.2026 12:45 πŸ‘ 2 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

Bloody hell. I am sold. I am so sold!

06.03.2026 11:15 πŸ‘ 4 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

The comedies are excellent for identifying English teachers in the audience who've read the Arden footnotes and don't need elaborate actorly mimes to spot all the knob gags.

06.03.2026 11:09 πŸ‘ 1 πŸ” 0 πŸ’¬ 0 πŸ“Œ 0

Lear's the daddy.
Hamlet's alright but only if you play the "this line's the title of something else" drinking game.
Troilus and Cressida is the worst reinterpretation of the character 'Just Vicki' since someone decided her surname was Pallister.

06.03.2026 11:09 πŸ‘ 1 πŸ” 0 πŸ’¬ 2 πŸ“Œ 0
Post image

The House of Lords Digital & Communications Committee just published their report on AI, copyright & the creative industries, and their conclusions could not be clearer.

🧡 1/5

06.03.2026 08:53 πŸ‘ 1532 πŸ” 872 πŸ’¬ 11 πŸ“Œ 130

@marietidball.bsky.social Please consider lending your voice to support creatives in your constituency. We pay tax, we generate wealth, we don't draw benefits and we enrich lives. Allowing multinationals to breach copyright and steal our intellectual copyright does not benefit our nation or workers.

06.03.2026 10:57 πŸ‘ 4 πŸ” 0 πŸ’¬ 1 πŸ“Œ 0