my breaking bad hot take is that i love better call saul more
07.03.2026 16:45
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my breaking bad hot take is that i love better call saul more
A mother and child play in the pool. Their heads stretch, extending upwards in long tendrils and leaving the frame.
Two children swim in the pool. Their heads stretch out, twisting and branching until they leave the frame.
A busy pool. Two people presumably swim inside, as their heads have extended into large masses that stretch out into the sky.
A chainlink fence with a sign that reads "POOL CLOSED". Behind, in the distance, enormous masses of what used to be flesh cover much of the sky.
Don't go into the pool.
A cross dissolve between the escalators of a cinema and a makeshift hospital ward of sleeping sickness patients and their shifting color light therapy
A mother duck hurries her babies across an open door
Ancient broken statues littering a forest floor
An amoeba floating in the sky Cemetery of Splendour (2015), Apichatpong Weerasethakul
Apichatpong Weerasethakul’s characteristic still point magic realism becomes the abeyance between dreamdeep sleep and groggy waking in Cemetery of Splendour (2015). His penchant of textual fantasy and horror embellishments as mundane tranquility in shared empty spaces feels almost exhaustive here.
Ceiling fans at night
A currently empty and quiet dig site, the construction equipment still as dusk settles
An empty school yard with dinosaurs
A homeless gentlemen resting for the night under a street lamp, surrounded by his things Cemetery of Splendour (2015), Apichatpong Weerasethakul
Purple whispers and ghostly small talk of undead kings waging shadow world war as sleepwalkers navigate long gone palaces reverberate with the humming spin of ceiling fans and lush wind rustle, harmonizing with the almost eerie comfort in how quickly a park or playground slips into liminal silence.
Trees of a steadily growing forest all signed and marked with school-project gardens
A shrine under a settling dusk
A Thai cinema showing a movie
A dog curiously coming up to a patio Cemetery of Splendour (2015), Apichatpong Weerasethakul
The past and present in conversation while outlandish miracles of past life recollection and psychic connection with phantoms are treated with the normality of idle chatter while working, of sharing fruit on a picnic table in a cooling gust. A fantastical boredom, a fascinating lull.
A Patlabor pilot grinning devilishly inside his mecha suit
Patlabor looking handsome
Cherry blossoms
A Patlabor’s map system Mobile Police Patlabor: The Early Days (1988)
Mobile Police Patlabor: The Early Days (1988) Episode 1: Japan teeters on complete authoritarianism masked as necessary militarization, manchildren given the keys to the totemic mechanical shells of fascist weaponry and machinery
Me: they make silly faces like in Urusei Yatsura 🤭🤭🤭
All the Patlabor pilots on respite, sharing a cramped room
All the Patlabor pilots on respite, sharing a cramped room
Sometimes your found family is a bunch of militarily trained gun junkies piloting the new weapon mascots of authoritarian urban “peace” while complete assured that you’re the victimized good guys
From: The Kidnapping of the Sun and Moon (1968), dir. Sándor Reisenbüchler, Pannonia Film Studio
Note: flashing images
He just keeps giving back!!!!!!
ACAB includes these snugglebugs, unfortunately 😔
Mobile Police Patlabor: The Early Days
Episode 2
Longshot
Two comedian performers dressed identically on a stage and facing an audience
The two Asukas standing on stage together and facing an audience
The two Asukas clasping hands and posing for the audience
Mothra’s Shobijin clasping hands and posing for the audience
Ghidorah, The Three Headed Monster (1964) /// Evangelion:30+; (2026)
Animated train travel.
ODDITY (2024) dir. Damian McCarthy
This short is one of the scariest things I have ever watched, and I truly don’t think you could ask for a better visualization of whatever the hell was wrong with Kafka. More than worth your time, you will feel SO bad afterwards.
Mothra vs Godzilla (1964)
Resident Evil 9 , Grace Ashcroft , main protagonist and The Girl , one of the main monsters . Grace is determined and concerned holding a flashlight . The Girl is mutated monster screaming in anguish
RE Requiem sketches ….
NEED THEM 😩😩😩
The Simpsons “I can think of at least two things wrong with that title” but now it says “I can think of at least two things completely right with that title”
As Kamen Rider Black faces a Black Cat Mutant, it's killed off by a new foe, Sword Saint Bilgenia! An arrogant warrior who is a pain for Kamen Rider Black as well as to Gorgom!
#tokusatsu #kamenrider #kamenriderblack #black #80s
Satan’s vessel, a woman possessed by Satan (which is not entirely what it sounds like) reaching out to the glowing doorway she has made of a mirror
A reporter resting her hand against the physical barrier of darkness in a doorway
The reporter stepping into the doorway Ghostwatch (1992)
Satan’s vessel reaching through the portal of light Prince of Darkness (1987)
Prince of Darkness (1987) /// Ghostwatch (1992)
Ghostwatch, otherwise known as Scream and Cry!!
I can’t stop thinking about it. LOOK at this!!!
Trees of a steadily growing forest all signed and marked with school-project gardens
A shrine under a settling dusk
A Thai cinema showing a movie
A dog curiously coming up to a patio Cemetery of Splendour (2015), Apichatpong Weerasethakul
The past and present in conversation while outlandish miracles of past life recollection and psychic connection with phantoms are treated with the normality of idle chatter while working, of sharing fruit on a picnic table in a cooling gust. A fantastical boredom, a fascinating lull.
Ceiling fans at night
A currently empty and quiet dig site, the construction equipment still as dusk settles
An empty school yard with dinosaurs
A homeless gentlemen resting for the night under a street lamp, surrounded by his things Cemetery of Splendour (2015), Apichatpong Weerasethakul
Purple whispers and ghostly small talk of undead kings waging shadow world war as sleepwalkers navigate long gone palaces reverberate with the humming spin of ceiling fans and lush wind rustle, harmonizing with the almost eerie comfort in how quickly a park or playground slips into liminal silence.
A cross dissolve between the escalators of a cinema and a makeshift hospital ward of sleeping sickness patients and their shifting color light therapy
A mother duck hurries her babies across an open door
Ancient broken statues littering a forest floor
An amoeba floating in the sky Cemetery of Splendour (2015), Apichatpong Weerasethakul
Apichatpong Weerasethakul’s characteristic still point magic realism becomes the abeyance between dreamdeep sleep and groggy waking in Cemetery of Splendour (2015). His penchant of textual fantasy and horror embellishments as mundane tranquility in shared empty spaces feels almost exhaustive here.
Emi and Yumi of the Peanuts, in their Mothra costumes, being photographed in the film’s model sets
“The kaiju-sized Shobijin aren’t real, they can’t hurt you”
The kaiju-sized Shobijin:
A screencap from Apichatpong Weerasethakul’s Cemetery of Splendor with a nurse character saying “I’ve touched way too many penises in my life.”
Some of you, I’m afraid
the main problem with LABYRINTH is i hate Hoggle with my life
Our crowdfunding for Castration Movie Anthology iii. Year of the Hyaena is now live :3 www.kickstarter.com/projects/wea...
