Thanks so much for the kind words, I really appreciate it!
Thanks so much for the kind words, I really appreciate it!
Dang, that is so cool
Thank you very much!
Really appreciate it, thank you!
Thank you very much! Honestly, yah, it's really something else in person, if I may say so myself.
Thanks, much appreciated!
Really pleased with how this came out after selenium toning.
11"x14" on Ilford FB from a 4x5 of Ilford Delta 100
I'd do better to share more than a cell phone picture but here we are
#believeinfilm
Love to have the last bit of 8x10 kit just chilling in a "regional distribution center" after almost two weeks of international shipping
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Outstanding ๐
This is literally like finding out about a party I wasn't invited to
Several silver gelatin prints toned with selenium on top of an expandable window screen I got off Amazon on top of two Rubbermaid totes...are those totes? tubs?
Selenium experimentation complete
They look so nice until they curl up like dead bugs once they're dry
#believeinfilm
Out here flattening prints in Adidas slides just like Ansel used to
It's honestly embarrassing that I never made this association.
I had everything so segmented and compartmentalized that I never considered the value of having both in tandem.
Not only is it not mutually exclusive, it's beautifully complimentary.
Real big fan of smaller film.
I'm certain this topic is not a revelation to the #believeinfilm crowd, but it's something that, if I ever knew, I had forgotten since immersing myself in large format photography
open.substack.com/pub/grainfal...
Mat, you hero, you. Thank you very much, I'll start there.
Basically I have some prints I screwed up in the darkroom on my way to a final print so I've got some awesome learning opportunities stacked up in my office ๐
Much appreciated, as always!
Hi #believeinfilm friends, specifically those with selenium toning experience.
I have some prints on Ilford multi grade fiber glossy I'd like to tone enough to see some visible changes in color as well.
What would be a good dilution and time just to start with, do you think?
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Congrats, Tom, that's one hell of a project!
Also a reminder for me to complain less about my incomparably tiny scanning sessions
Definitely didn't spend enough time exploring different framing options, either. I think I got overly excited by the big waves haha
Waves bigger than I've ever seen in that area when I shot this last Friday. I got some cool stuff on the big film but I'll be headed back there to spend much more time with a wider array of lenses.
Also really curious to see this view in different lighting throughout the year.
Working on some cool stuff today
Shot this on 35mm HP5 rated at 800 and developed in 510-Pyro for around a half hour or so.
#believeinfilm
๐!
So good, that composition is amazing. Great shot!
Nice!
I'm learning a lot about how much light it really takes to make these kinds of shots work- metered at f/128
For anyone who might be interested in additional details:
open.substack.com/pub/grainfal...
Studio photo of flowers from Trader Joe's shot on 4x5 Ilford FP4+ at 200ISO, 300mm Nikkor/5.6 @ f/22, developed in 510 Pyro
So this is the "hero image" from my last Substack post. I keep going back to it. It's my second go at botanical photography on large format film, but I'm optimistic.
Photo notes in alt text
#believeinfilm
I bought 5 packs at once and I'm on my second 1L batch where negs have been off.
I bought some of the liquid ecofix mix from the UK that I'll try once I get through my current stockpile but yah, this has been real strange.
I miss my brown negs :(
Any #believeinfilm friends using 510-Pyro having issues with recent batches of Ecofix?
I, along with a friend of mine, are encountering some oddities. Pink-ish negs, far less staining than previous batches - all else remaining the same.
Should I switch to something like a Kodak fix?