Smol Cutie
@levnekov
23, he/they. PhD student in musicology at Pitt. BA Music (UIUC, 2025). inquisitor of finite modes, perseverer of the Absolute. editor for @crittheoryworkgrp.bsky.social. banner from Soul Glo, "Gold Chain Punk."
Smol Cutie
This helped me distinguish between the delusional anthropomorphism that bugged me and a similar not-bad thing. Since it came out, a few more papers have been written arguing back and forth over chatbot fictionalism.
journals.publishing.umich.edu/ergo/article...
everyone loves bodily autonomy and the biopolitics of control until itโs time to talk about the politics of sound lol
ใใใซใผใขใผใซใคใ ร ใฉใฆใณใใฏใณใใซใฆไธ้ญๆฎฟใฎใณใฉใใใธใฅใขใซใๆ
ๅฝใใใฆใใใ ใใพใใ๐ณ
ใใใใใ้กใใใใใพใ๏ผ
#ใใซใขใซ
www.round1.co.jp/collaboratio...
ใใใขใบใ#ใใซใขใซ
ใใทใญ
ๅฎใฏๅฅฝใ
#ใใซใขใซ
me and my interlokirktor
the problem with having too many ideas โ good problem as it is to have โ is that you need to give your ideas playing time, or else you get the mental Jail Blazers where there's too much talent and everyone gets cranky (read: the concepts in my body)
literally forgot i had a Hegel paper in me all along (revised abstract from last semester for seminar) but i got too lost in da sauce until prepping my first-year dossier
im so smartly stupid
Pache
#ใใใฅใชใผใปใใผใฌใใธ #ๆฑๆนProject
buns. #ใใใญใฃใณฮ #่ฌ้ใฎใใชใผใฌใณ #ใใชใผใฌใณ
ใคใฉในใๆดปๅใใใคใใฟใผใงๅใใฆ6ๅนดใ็ตใกใพใใใ
ใใคใใใใใจใใใใใพใโจ
[HAN DYNASTY, 100 B.C.] MUMEI: "FIDDLESTICKS... if only i could ask some kind of CHAT instead...."
mumei consults the I Ching #drawMEI
I'm firmly in the "do (realize) dialectics" camp, which still allows you to be a communist, the important part
also because I've grown to be suspicious of the "look at real people!!!" move, which effectively delimits historical work to an impoverished, bourgeois conception of "social history"
not because it makes me feel bad, but because it's usually treated as a thought-terminating disciplinary cudgel
honestly it's probably the philosophy kool-aid, but I think the "knockdown critique of philosophy" reading of Marx is one of my least favorite
when the rubber hits the road I'm not primarily a Marxist + prob wouldn't consider myself one
Smol Heart
aside from my "dead German guy" arc, I did find Alison Stone's book on popular music from 2016, and I'm glad to see the reviews are quite positive!
"right but annoying about it" except without the "right"
good news: one dude in Greece writes about Hegel + Plessner re: music, which might be able to escape the Habermas interpretation of Plessner
(or ignore it because itโs anti-subject or w/e ig lol)
weโve moved from โHegel is [only] the dialectics guyโ to โHegel is [only] the speculation guyโ (itโs neither; itโs both) and also forgotten about the logic
the few other connections are thru aesthetics, which I am actively seeking to encircle
unfortunately very few people have written about the Absolute thru Hegel in music studies, and the one Iโve been able to find post-1950 on RILM is 99% going to be โanalytic Hegelโs Absoluteโ which is kinda dogwater
really not beating the allegations tbqh
Bryan Parkhurst, โSins of the Sonโ: [โฆ] I'm afraid I lack her confidence in my ability to have done very much better. But only the most motivated reasoning could somehow steer the reasoner toward the curious conclusions that I do not 'contextualise the book within its field of study and relate it to other pertinent literature' and that I do not conduct 'a meaningful interdisciplinary discussion' (Lavengood 2025, p. 123). Ummm... compared to what? Just so we're clear: 'Sins of the Father' is, by design and not by accident, a colourful, jaunty think-piece, not the opening lit-review chapter of a PhD dissertation on Ewell. Thus, in addition to being a dispiriting sign of the ideological times - I commend it to future intellectual historians as a pathognomonic symptom that indexes, with crystalline purity, the very quintessence of our currently unpropitious cultural moment here in the wilting groves of academe - the dreary bibliographic bean-counting to which Lavengood's letter descends on page 123 is just a blatant category error. That's all a bummer, but what really bums me out, as I say, is the way the deck gets stacked against me. Could any duly spruced-up version of what I wrote succeed in being free enough of 'glaring omissions', or full enough of 'meaningful interdisciplinary connexions' (p. 123), to have passed muster, according to the [โฆ]
my bro you donโt have to ideate the last part lmao
the form of this is the review equivalent of a Trump truth . social post, which is not a compliment, and I say this as someone sympathetic to Parkhurst