Brother. I know it’s not a slur, but still — unless you’re writing about the United Negro College Fund or the Negro baseball leagues, please join us in the 21st century!
@thenightgallery
Fan of the Twilight Zone? Join me, Rod Serling Memorial Foundation board member Paul Gallagher, for daily quotes and facts from TZ, Night Gallery, and Serling's other works. On X as @TheNightGallery and at thenightgallery.org.
Brother. I know it’s not a slur, but still — unless you’re writing about the United Negro College Fund or the Negro baseball leagues, please join us in the 21st century!
Ha, just streamed an episode last night on Hulu. Always fun. :)
Got to see them in concert last year — it was amazing! MoP was a huge highlight, of course.
Was a huge fan of Quantum Leap! Not surprising for a fan of TZ, of course. :)
Much too soon, yes! Another favorite: “Wife Vs. Secretary” with Clark Gable and Myrna Loy. So good!
Unreal. I can’t even imagine this being considered okay. They might as well have had rules against blondes, brunettes or redheads, for all the sense it makes!
That does seem a bit late, but it appears to have been passing out of usage in the late 1960s, so a residual instance in 1970 doesn’t surprise me. I can imagine some older editor writing this headline, and the younger reporters rolling their eyes. As for “girl,” yeah — so cringe. 🙄
"The New York World's Fair? That means we're in ... "
"1939. We came back, but we didn't come back far enough."
#S2E18
Twilight Zone's "The Odyssey of Flight 33"
Done!
… ingredient in someone's soup. It's tonight's bill of fare from the Twilight Zone.”
Except that the final narration is, if anything, MORE humorous: “The recollections of one Michael Chambers, with appropriate flashbacks and soliloquy. Or, more simply stated, the evolution of man. The cycle of going from dust to dessert. The metamorphosis from being the ruler of a planet to an …
Ha, yes! In fairness to Rod, the typo almost surely came from his secretary, who typed up the dictation recordings he made of his scripts. Either way, "gaLazy" is pretty funny. Sounds like a space-age recliner! 😄
And yes, his rewritten version is sharper and better. He often rewrote these intros.
"To the wee ones ... the little folk called man ... it's a marvelous adventure, a voyage to another planet."
Check out the rest of Serling's original closing narration for "To Serve Man," which he had rewritten entirely by the time the episode was filmed.
#Season3Episode24
Love Eddie! One of the all-time greats.
Congratulations! Wonderful news.
😅
Same here! Though age does make one appreciate it more. 🥲
That laugh! 😆
He basically elevated anything he was in. A true giant.
Was certainly happy to see him escape a world that insisted on trying to change him!
Agreed. :) Like other great actors, he had what they call “presence.”
Did a rewatch myself. :)
Very fun episode. :)
Mine too. I don’t think I’ve ever heard a word of criticism of this one!
Very apt!
When Rod Serling began writing "Will the Real Martian Please Stand Up?" for The Twilight Zone, its working title was "The Missing Martian."
The final title was a play on the catchphrase of the popular game show "To Tell the Truth."
#S2E28
RIP, Robert Duvall. 😢
"I hope you'll be able to join us next week when the Twilight Zone presents Robert Duvall and Pert Kelton in a production of Charles Beaumont's 'Miniature'."
— Rod Serling's promo for Duvall's sole appearance on TZ (February 21, 1963) during Season 4
On February 9, 1972, one of Night Gallery's best segments airs: Serling's chilling "Deliveries in the Rear," about a Victorian-era doctor who trafficks in grave-robbing, with two other stories, "Stop Killing Me" and "Dead Weight."
On DVD or Blu-ray: amzn.to/3uEw2HZ
February 9, 1962: Twilight Zone's "Kick the Can" airs. A man in a nursing home discovers the secret of youth is an attitude — and that a simple children's game can provide the escape he yearns for.
Written by George Clayton Johnson. Stars Ernest Truex (of TZ's "What You Need").
"They had to do a life mask with the cast in advance. After we were done filming, Ida Lupino told us we could keep the masks because they would not be needed. I used to have my mask for many years, but I don't recall what happened to it."
— Brooke Hayward, Paula in "The Masks"