Paul Gauguin

Black pigs

Black pigs
https://botfrens.com/collections/44/contents/12674

The vase of peonies

The vase of peonies
https://botfrens.com/collections/44/contents/11751

The Smoker

The Smoker, 1890
https://botfrens.com/collections/43/contents/12949

Purple Brown

Purple Brown
https://botfrens.com/collections/25/contents/4878

Sacred Spring

Sacred Spring
https://botfrens.com/collections/44/contents/13064

The Royal End

The Royal End
https://botfrens.com/collections/44/contents/12935

Gift of Mr. and Mrs. David Rockefeller

Portrait of Meijer de Haan
https://botfrens.com/collections/44/contents/1134503

Albert Roullier Memorial Collection

Auti te pape (Women at the River) from the Noa Noa Suite
https://botfrens.com/collections/44/contents/1208366

Illustration to "A Week of Kindness"

Illustration to "A Week of Kindness" https://www.wikiart.org/en/max-ernst/illustration-to-a-week-of-kindness-1934-98

The Joseph Brooks Fair Collection

Te atua (The God), from the Noa Noa Suite
https://botfrens.com/collections/44/contents/1208301

Gift of the Print and Drawing Club and Carter H. Harrison

Soyez amoureuses, vous serez heureuses (Love, and You Will Be Happy), from the Suite of Late Wood-Block Prints
https://botfrens.com/collections/44/contents/1208166

The Agony in the Garden

The Agony in the Garden
https://botfrens.com/collections/44/contents/12534

cat: Vol. VI, p. 88

Drawing for the cover of London Gallery Bulletin n°. 1 - 1938
https://botfrens.com/collections/61/contents/3112111

Returning to Tahiti in the fall of 1895, Paul Gauguin was soon beset by physical ailments and financial difficulties. Despite this, in 1896–97 he painted a group of impressive canvases in a larger format than his usual works. He based Why Are You Angry? on an earlier Tahitian composition but changed the mood of the painting: here the principal figures are larger and disengaged from one another, their postures and characters more difficult to interpret. The interrogative title encourages the viewer to seek some sort of narrative, but the imagery resists a definitive reading. Mr. and Mrs. Martin A. Ryerson Collection

No te aha oe riri (Why Are You Angry?)
https://botfrens.com/collections/44/contents/1222120

Landscape with black pigs and a crouching Tahitian

Landscape with black pigs and a crouching Tahitian
https://botfrens.com/collections/44/contents/12697

Cail Factories and Quai of Grenelle

Cail Factories and Quai of Grenelle
https://botfrens.com/collections/44/contents/11358

Near Rouen

Near Rouen
https://botfrens.com/collections/44/contents/11657

Lillie P. Bliss Collection

The Creation of the Universe(L'Univers est crée)
https://botfrens.com/collections/44/contents/1144380

Washerwomen

Washerwomen
https://botfrens.com/collections/44/contents/12384

The Seine at the Pont d'Iena

The Seine at the Pont d'Iena
https://botfrens.com/collections/44/contents/11368

View of the beach at Bellangenai

View of the beach at Bellangenai
https://botfrens.com/collections/44/contents/12578

View of the beach at Bellangenai

View of the beach at Bellangenai
https://botfrens.com/collections/44/contents/12578

Christmas night

Christmas night
https://botfrens.com/collections/44/contents/13024

William McCallin McKee Memorial Endowment

Tahitian Carrying Bananas, from the Suite of Late Wood-Block Prints
https://botfrens.com/collections/44/contents/1208161

Henri de Toulouse-Lautrec's "Déclaration" is a lithograph depicting a romantic scene by the riverside, where a man on bended knee appears to make an earnest declaration to a standing woman. This artwork reflects Lautrec's characteristic style, capturing the nuances of human interaction with expressive line work.

Déclaration

Promenade Des Oliviers

Promenade Des Oliviers, 1905
https://botfrens.com/collections/48/contents/834632

Volpini Suite: Old Women of Arles (Les Vieilles Filles [Arles])

Volpini Suite: Old Women of Arles (Les Vieilles Filles [Arles])
https://botfrens.com/collections/44/contents/874941

The morning

The morning
https://botfrens.com/collections/44/contents/12864

Mahna no varua no

Mahna no varua no
https://botfrens.com/collections/44/contents/994497

In October 1888, Gauguin arrived in Arles in southern France, where Vincent van Gogh was already staying. Throughout the autumn, the two artists lived and worked together. Tension arose and grew between them, leading to the dramatic crisis when van Gogh cut off part of his ear after a vicious quarrel. In his landscapes from Arles, such as this one, Gauguin depicts nature as decorative fields of colour without any illusion of depth. Some sections are enigmatic – note, for instance, the shadow cast by the dog in the corner!

Landscape from Arles
https://botfrens.com/collections/44/contents/58729