Bluszcz

I created 500px account. Someone from here is using this to follow? 500px.com/manager?view... #photography #500px

gorgeus

A wide-angle, cinematic street scene captured at dusk or under heavy overcast skies, characterized by the warm, nostalgic grain and golden-hour highlights typical of Kodak Gold film. The composition is divided horizontally: the lower third is dominated by a dark, wet asphalt road with white dashed lane markings leading toward the center, while the upper two-thirds are filled with a dramatic, moody sky. In the mid-ground, a line of dark cars and a yellow public transit bus are visible in a mild traffic flow. To the left, a skeletal, leafless tree stands tall against the clouds. The skyline features a series of blocky, utilitarian apartment buildings or urban structures in muted beige and grey tones. The lighting is low and directional, creating a high-contrast look where the silhouettes of street lamps, power lines for trams, and traffic signals cut sharply against the pale, glowing gap in the heavy cloud cover. The color palette is a mix of deep shadows, desaturated urban greys, and a soft, amber-tinted light filtering through the clouds. The film grain is visible throughout, adding texture to the expansive sky and softening the edges of the brutalist architecture. The overall mood is quiet, urban, and slightly melancholic, emphasizing the transition from day to night.

📷 Canon AE-1
🎞️ Kodak Gold 200

#Wednesday #35mm #BelieveInFilm #Photography #BlueSkyArtShow #FilmIsNotDead #FilmPhotography #UrbanPhotography #StreetPhotography #Film #UrbanGaze #Warsaw #Poland #Bemowo #AnalogPhotography #GoldenHour #Cityscape #Kodak #Cinematic #Film @bskyphotos.bsky.social

Thank you @nickoprints.bsky.social for the repost

A high-contrast, black-and-white square format photograph taken indoors, likely in an art gallery or studio space. The composition is grounded by a strong play of chiaroscuro, with harsh, bright sunlight streaming across the floor and walls from an unseen window to the left. In the lower right quadrant, a woman sits cross-legged on the floor. She is viewed in profile, facing toward the right side of the frame. She wears a light-colored, long-sleeved denim-style jacket and a long, flowing skirt. Her hair is pulled back in a bun. A dramatic band of light illuminates her lap and the lower portion of her torso, while her face remains in soft, reflected light, looking upward and slightly away. The background consists of several large abstract paintings mounted on a white wall. To the left, a tall vertical canvas shows textured, dark gestural strokes. To the right of that, a horizontal piece features high-contrast, swirling black and white patterns resembling organic or floral shapes. The harsh sunlight creates sharp, diagonal shadows across the floor in the foreground, leading the eye toward the seated figure. The floor is light-colored and reflective, catching the intense glare. The image has a very clean, high-resolution digital look with deep, crushed blacks and bright, clinical whites, characteristic of the Leica Q3 Monochrom mentioned in the post's drafts. There is no visible film grain or chemical artifacts; the sharpness and dynamic range suggest a modern digital sensor rather than 35mm film.

Galeria Magdaleny Kobiereckiej

#Leica #LeicaQ3Monochrom #Warsaw #Warszawa #Bielany #Photography #BNW #BlackAndWhitePhotography
@bskyphotos.bsky.social #PhotoOfTheDay #PhotoHour #BlueSkyArtShow #Shadows #Composition #Monochrome #BlackAndWhite #HardShadows #Art #ArtGallery #Gallery #Portrait

A vertical, high-contrast black and white street photograph focusing on the interplay of light and shadow on an urban ground surface. The perspective is a direct downward angle. Two elongated, dark shadows stretch across the frame from the bottom, reaching toward the top right. One shadow appears to be a person wearing a hat, with their arm raised and a finger pointing toward the upper right corner. The second shadow is a thin, geometric silhouette of a pole or street fixture. The ground is a patchwork of textures divided into three distinct zones. The top third features the bold, horizontal white stripes of a pedestrian "zebra" crossing, appearing brilliant and nearly blown out under direct sunlight. The middle section is a gray, textured asphalt or concrete with a prominent diagonal crack cutting through it. The bottom section consists of large square paving stones, including a rectangular patch of tactile paving with a grid of raised circular studs. The lighting is harsh and directional, creating a stark binary between the ink-black shadows and the bright pavement. The composition is grounded in strong diagonal lines and geometric repetition, turning a mundane sidewalk into a conceptual study of form. The figures remain anonymous, existing only as warped silhouettes projected onto the gritty textures of the city.

Hybrid.

#Leica #LeicaQ3Monochrom #Warsaw #Warszawa #Bielany #Photography #BNW #BlackAndWhitePhotography @bskyphotos.bsky.social #PhotoOfTheDay #PhotoHour #StreetPhotography #AbstractArt #BlueSkyArtShow #art #Shadows #Composition #ConceptualArt #UrbanGaze #Monochrome #BlackAndWhite #HardShadows

#fineartnude #nudeportrait #figure #fineartphotography

fantastic shot

I am also curious what the keyboard is behind them

A symmetrical, eye-level photograph of a modern, outdoor glass elevator entrance leading to a metro station. The composition is centered on the brushed metal double doors of the elevator, which reflect the soft, overcast light. A small, glowing red circular indicator light is visible above the door frame. To the right, a vertical section of a red-brick pillar provides a warm, textured contrast to the cool, industrial steel and glass of the elevator shaft. The photograph is taken from a slightly shadowed foreground, looking through the elevator's glass-walled cab. This layering creates a complex visual depth: through the two sets of glass, a snowy urban street is visible. A person with a bicycle stands on the sidewalk, their form slightly blurred, suggesting a quiet, cold atmosphere. A prominent warm, amber light leak or "flare" blooms from the bottom right corner, characteristic of analog film, which softens the sharp architectural lines. The color palette is dominated by muted silvers, the deep red of the bricks, and the bright, flat white of the snow-covered ground outside. The grain is fine but present, enhancing the tactile quality of the metal surfaces.

🎞️ Kodak Gold 200
📷 Canon AE-1 + Canon FD 50mm f/1.4

#FridayWindow #BelieveInFilm #Photography #BlueSkyArtShow #FineArt #ConceptualArt #FilmIsNotDead #FilmPhotography #StreetPhotography #Warsaw #Bemowo #Warszawa #Metro @bskyphotos.bsky.social #UrbanGaze #photoHour #PhotoOfTheDay #Europe #CityScape

Very cool shot!

A symmetrical, eye-level photograph of a modern, outdoor glass elevator entrance leading to a metro station. The composition is centered on the brushed metal double doors of the elevator, which reflect the soft, overcast light. A small, glowing red circular indicator light is visible above the door frame. To the right, a vertical section of a red-brick pillar provides a warm, textured contrast to the cool, industrial steel and glass of the elevator shaft. The photograph is taken from a slightly shadowed foreground, looking through the elevator's glass-walled cab. This layering creates a complex visual depth: through the two sets of glass, a snowy urban street is visible. A person with a bicycle stands on the sidewalk, their form slightly blurred, suggesting a quiet, cold atmosphere. A prominent warm, amber light leak or "flare" blooms from the bottom right corner, characteristic of analog film, which softens the sharp architectural lines. The color palette is dominated by muted silvers, the deep red of the bricks, and the bright, flat white of the snow-covered ground outside. The grain is fine but present, enhancing the tactile quality of the metal surfaces.

🎞️ Kodak Gold 200
📷 Canon AE-1 + Canon FD 50mm f/1.4

#FridayWindow #BelieveInFilm #Photography #BlueSkyArtShow #FineArt #ConceptualArt #FilmIsNotDead #FilmPhotography #StreetPhotography #Warsaw #Bemowo #Warszawa #Metro @bskyphotos.bsky.social #UrbanGaze #photoHour #PhotoOfTheDay #Europe #CityScape

Thank you Mr!

A long-exposure night photograph captured on 35mm film in an urban setting, likely Warsaw, Poland. In the foreground, a large yellow vehicle, possibly a bus or tram, is rendered as a bright, horizontal motion blur across the lower third of the frame, its red taillights leaving distinct streaks. Behind the blur, a dark blue car is parked on the right side of the street. The mid-ground features a brightly lit green and white "Żabka" storefront, its interior lights glowing intensely against the dark night. Above the shops, the architecture is dominated by large digital billboards. One screen displays a hyper-realistic, close-up image of a human eye with a glowing purple iris, which appears to be watching the street. To its left, another screen shows a partial view of a similar eye. Further left, a taller building has a large advertisement for Philips with a QR code and Polish text. The composition uses the horizontal motion blur to create a sense of speed and transit, contrasting with the static, watchful presence of the digital eyes above. The color palette is defined by the warm yellow of the motion blur, the cool artificial blue and purple of the digital screens, and the vibrant green of the commercial signage. The film grain is visible, adding texture to the deep shadows and the dark night sky.

"Warsaw by night"

🎞️ Kodak Gold 200
📷 Canon AE-1 + Canon FD 50mm f/1.4

#BelieveInFilm #FilmPhotography #FilmIsNotDead @bskyphotos.bsky.social #photoOfTheDay #Photography #KodakGold200 #Winter #StreetPhotography #Warsaw #WarsawByNight #NightPhotography #ThrowbackThursday #UrbanPhotography #UrbanGaze

A high-contrast, black-and-white nighttime photograph of two trams parked side-by-side on snow-covered tracks. The composition is a medium shot, focusing on the front ends of the vehicles. On the left, an older, more angular tram model (numbered 2037) features a boxy design with a flat windshield and vertical lines. To its right, a modern tram (numbered 3644) displays a more aerodynamic, curved front profile with a large, wraparound glass windshield. The lighting is harsh and directional, likely from overhead depot lamps, creating deep, rich blacks in the shadows and bright, reflective whites on the snowy ground and the trams' metallic surfaces. The textures of the slushy snow and the metal railings in the bottom right foreground are sharply defined. The background is almost entirely enveloped in dark shadow, emphasizing the industrial silhouettes of the vehicles. The image has a slight grain and a distinct tonal depth that suggests it was shot on a vintage lens, specifically the Carl Zeiss 35mm f/2.4 Jena Flektogon mentioned in the post, which provides a wide, immersive field of view with characteristic sharpness and micro-contrast. The absence of digital noise in the shadows and the specific blooming around bright highlights suggest this may have been shot on high-contrast monochrome film or a high-end digital sensor mimicking a cinematic film aesthetic.

I have found a place where the trams are sleeping.

📷 Sony A7II + Carl Zeiss 35mm f/2.4 Jena Flektogon

#Photography #BNW #BlueSkyArtShow #FineArt #StreetPhotography #NightPhotography #ZeissJena #Art #BlackAndWhitePhotography #Warsaw #Warszawa #Poland #UrbanGaze #SonyA7II @bskyphotos.bsky.social

A low-angle, high-contrast black and white photograph taken at night within a narrow, rectangular passage or alleyway. The composition is defined by strong linear perspective, with the walls and ceiling lights leading the eye toward a pitch-black vanishing point at the center. On the ground in the foreground, the word "STOP" is painted in large, white, weathered block letters on a dark, cobblestone-like pavement. A white directional arrow is visible just above the text, pointing into the darkness. The lighting is architectural and rhythmic: four bright, rectangular fluorescent fixtures are mounted along the top edges of the walls, two on each side, casting a stark white glow that emphasizes the texture of the masonry. The walls appear to be made of light-colored stone or concrete blocks. To the right, a closed door is partially visible in the shadows. Beyond the immediate corridor, the scene transitions into deep shadow, with only a few faint, distant streetlights visible in the background, creating a sense of liminal space and urban solitude. The contrast is sharp, with deep blacks and bright, blown-out highlights from the lamps, emphasizing a noir aesthetic.

✋🏻S T O P

📷 Sony A7II + Carl Zeiss 35mm f/2.4 Jena Flektogon

#Photography #BNW #BlueSkyArtShow #FineArt #Art #TextureTuesday #Tuesday #StreetPhotography #SonyA7II #Noir #Architecture #LowLight #brutalism #zeiss #Flektogon @bskyphotos.bsky.social #artistsofbluesky #photooftheday #UrbanPhotography

A high-contrast, black-and-white nighttime photograph of two trams parked side-by-side on snow-covered tracks. The composition is a medium shot, focusing on the front ends of the vehicles. On the left, an older, more angular tram model (numbered 2037) features a boxy design with a flat windshield and vertical lines. To its right, a modern tram (numbered 3644) displays a more aerodynamic, curved front profile with a large, wraparound glass windshield. The lighting is harsh and directional, likely from overhead depot lamps, creating deep, rich blacks in the shadows and bright, reflective whites on the snowy ground and the trams' metallic surfaces. The textures of the slushy snow and the metal railings in the bottom right foreground are sharply defined. The background is almost entirely enveloped in dark shadow, emphasizing the industrial silhouettes of the vehicles. The image has a slight grain and a distinct tonal depth that suggests it was shot on a vintage lens, specifically the Carl Zeiss 35mm f/2.4 Jena Flektogon mentioned in the post, which provides a wide, immersive field of view with characteristic sharpness and micro-contrast. The absence of digital noise in the shadows and the specific blooming around bright highlights suggest this may have been shot on high-contrast monochrome film or a high-end digital sensor mimicking a cinematic film aesthetic.

I have found a place where the trams are sleeping.

📷 Sony A7II + Carl Zeiss 35mm f/2.4 Jena Flektogon

#Photography #BNW #BlueSkyArtShow #FineArt #StreetPhotography #NightPhotography #ZeissJena #Art #BlackAndWhitePhotography #Warsaw #Warszawa #Poland #UrbanGaze #SonyA7II @bskyphotos.bsky.social

thank you @jamesrichmond.bsky.social and @albert-ibars.bsky.social for the reposts :)

A low-angle, high-contrast black and white photograph taken at night within a narrow, rectangular passage or alleyway. The composition is defined by strong linear perspective, with the walls and ceiling lights leading the eye toward a pitch-black vanishing point at the center. On the ground in the foreground, the word "STOP" is painted in large, white, weathered block letters on a dark, cobblestone-like pavement. A white directional arrow is visible just above the text, pointing into the darkness. The lighting is architectural and rhythmic: four bright, rectangular fluorescent fixtures are mounted along the top edges of the walls, two on each side, casting a stark white glow that emphasizes the texture of the masonry. The walls appear to be made of light-colored stone or concrete blocks. To the right, a closed door is partially visible in the shadows. Beyond the immediate corridor, the scene transitions into deep shadow, with only a few faint, distant streetlights visible in the background, creating a sense of liminal space and urban solitude. The contrast is sharp, with deep blacks and bright, blown-out highlights from the lamps, emphasizing a noir aesthetic.

✋🏻S T O P

📷 Sony A7II + Carl Zeiss 35mm f/2.4 Jena Flektogon

#Photography #BNW #BlueSkyArtShow #FineArt #Art #TextureTuesday #Tuesday #StreetPhotography #SonyA7II #Noir #Architecture #LowLight #brutalism #zeiss #Flektogon @bskyphotos.bsky.social #artistsofbluesky #photooftheday #UrbanPhotography

A vertical portrait of a person set against a solid black, underexposed background. The subject is positioned in the upper center of the frame, wearing a bright red, form-fitting garment and a stylized red mask that covers the lower half of the face from the nose down. The mask is secured with thick, white fabric ribbons that hang down toward the chest. The person’s hands are raised to their face, with fingers lightly touching the edges of the mask. The image utilizes a very shallow depth of field; while the eyes and the upper edge of the red mask are in sharp focus, the rest of the body, hands, and the lower portion of the garment are heavily blurred into a soft red bokeh. The lighting is low-key and directional, highlighting the contours of the face and the glossy texture of the mask while allowing the rest of the figure to recede into deep shadow. The color palette is strictly limited to deep black, vibrant red, and natural skin tones.

🎭 "I think people are tired of the same old thing. They want to get lost. They want to get into a dream world."
― David Lynch

#Portrait #PortraitPhotography #Fujifilm #FujiX100F @bskyphotos.bsky.social #Photography #BlueSkyArtShow #FineArt #Art #FineArtPhotography

A moody, low-light photograph titled "Dream Escapist." The image is dominated by a dark, desaturated palette of charcoal, deep blacks, and hazy whites. In the center-right of the frame, a lone silhouette of a person stands with their back to the viewer, appearing to walk deeper into a snowy, fog-shrouded woodland. The composition utilizes a distinct tilt-shift effect, creating a narrow horizontal plane of sharp focus across the middle, while the top and bottom of the frame dissolve into a soft, dreamlike blur. The foreground consists of a snow-covered ground where rhythmic, diagonal lines of warm, golden light—likely from an off-screen light source—streak across the surface, creating a high-contrast pattern against the shadows. To the left, a dark, spindly thicket of leafless branches leans into the scene, while a heavy tree trunk anchors the right edge. The background is a murky, ethereal gray, suggesting thick fog or a heavy snowfall at night. The heavy digital grain adds a tactile, cinematic quality to the image, emphasizing themes of isolation, mystery, and a quiet, solitary journey through a wintry landscape.

"Dream Escapist"

📷 Sony A7II + TT Artisan 50mm f/1.4 Tilt

#Photography #FineArt #ConceptualArt #Nature #SonyA7II #TiltShift #TiltShiftLens #WinterPhotography #Monday #FineArtPhotography #BlueSkyArtShow #NightPhotography @bskyphotos.bsky.social @photohour.bsky.social #Forest #Warsaw #Warszawa

A moody, low-light photograph titled "Dream Escapist." The image is dominated by a dark, desaturated palette of charcoal, deep blacks, and hazy whites. In the center-right of the frame, a lone silhouette of a person stands with their back to the viewer, appearing to walk deeper into a snowy, fog-shrouded woodland. The composition utilizes a distinct tilt-shift effect, creating a narrow horizontal plane of sharp focus across the middle, while the top and bottom of the frame dissolve into a soft, dreamlike blur. The foreground consists of a snow-covered ground where rhythmic, diagonal lines of warm, golden light—likely from an off-screen light source—streak across the surface, creating a high-contrast pattern against the shadows. To the left, a dark, spindly thicket of leafless branches leans into the scene, while a heavy tree trunk anchors the right edge. The background is a murky, ethereal gray, suggesting thick fog or a heavy snowfall at night. The heavy digital grain adds a tactile, cinematic quality to the image, emphasizing themes of isolation, mystery, and a quiet, solitary journey through a wintry landscape.

"Dream Escapist"

📷 Sony A7II + TT Artisan 50mm f/1.4 Tilt

#Photography #FineArt #ConceptualArt #Nature #SonyA7II #TiltShift #TiltShiftLens #WinterPhotography #Monday #FineArtPhotography #BlueSkyArtShow #NightPhotography @bskyphotos.bsky.social @photohour.bsky.social #Forest #Warsaw #Warszawa

A photograph taken inside the Kinoteka Cinema in Warsaw, captured with a tilt-shift lens that creates a distinctive, narrow plane of focus. The composition is dominated by a vibrant, deep red carpet in the foreground, which is largely blurred, leading the eye toward the center-right of the frame. The focal point is an antique black film projector or cinema apparatus, mounted on a heavy pedestal. It sits behind a glass partition or within a doorway, appearing sharp against the surrounding soft-focus environment. The machine is mechanical and industrial in design, with rounded housings and visible knobs. The architecture of the room features high ceilings and pale, off-white walls with classic decorative molding. To the left, a blurred white wall and a dark rectangular object (possibly a speaker or seating) are visible. The lighting is warm and indoor-focused, creating soft highlights on the metallic surfaces of the projector and a clean, clinical feel to the upper half of the room. The tilt-shift effect creates a "miniature" aesthetic, compressing the sense of scale and making the cinema lobby appear like a highly detailed diorama. The vertical lines of the doorframes and wall corners provide a structured, geometric backdrop to the organic blur of the foreground and background.

Another one from the Dreams serie. Kinoteka Cinema.

📷 Sony A7II + TT Artisan 50mm f/1.4 Tilt

#TiltShift #TiltShiftLens @bskyphotos.bsky.social @photohour.bsky.social #art #BlueSkyArtShow #Photography #StreetPhotography #Warsaw #Warszawa #sony #sonyalpha #sonyA7II #Poland #Polska #PhotoHour

thank you @lnart.bsky.social for the repost!

Thank you @hoegermann.bsky.social 👠🛀

Thank you @slowdriver25.bsky.social for the repost

A low-light, moody photograph of a forest floor at night, captured with a tilt-shift lens that creates a narrow, horizontal band of sharp focus against a heavy, dark blur. In the immediate foreground, thick wooden beams or logs lie horizontally across the frame, rendered as dark, indistinct silhouettes. The center of the image features a patch of textured earth and leaf litter, illuminated by a faint, cool-toned light source that suggests moonlight or a dim artificial glow. The details here are crisp, showing the grainy texture of the soil and scattered organic debris. Rising vertically from this ground are the thin, dark trunks of trees, disappearing into a deep, near-black background. The selective focus isolates a specific plane of depth, leaving the top and bottom of the image in a soft, atmospheric bokeh. The color palette is dominated by desaturated earthy tones, deep shadows, and cold grays. The composition is grounded and heavy, emphasizing the stillness and the claustrophobic density of the woods at night.

"It has been called by many names, but it is known here as the evil in these woods." - #TwinPeaks

📷 Sony A7II + TT Artisan 50mm f/1.4 Tilt

#Photography #FineArt #FridayForest #BlueSkyArtShow #Art #tiltShift #tiltShiftLens #NightPhotography #SonyA7II #Sony @bskyphotos.bsky.social #DarkArt

post a tram interior which you photographed

📷 Sony A7II + TT Artisan 50mm f/1.4 Tilt

#TiltShift #TiltShiftLens @bskyphotos.bsky.social #art #BlueSkyArtShow #Photography #StreetPhotography #UrbanPhotography #Warsaw #Warszawa #sony #NightPhotography #sonyalpha #sonyA7II #Liminal #Poland #Polska

A low-light, moody photograph of a forest floor at night, captured with a tilt-shift lens that creates a narrow, horizontal band of sharp focus against a heavy, dark blur. In the immediate foreground, thick wooden beams or logs lie horizontally across the frame, rendered as dark, indistinct silhouettes. The center of the image features a patch of textured earth and leaf litter, illuminated by a faint, cool-toned light source that suggests moonlight or a dim artificial glow. The details here are crisp, showing the grainy texture of the soil and scattered organic debris. Rising vertically from this ground are the thin, dark trunks of trees, disappearing into a deep, near-black background. The selective focus isolates a specific plane of depth, leaving the top and bottom of the image in a soft, atmospheric bokeh. The color palette is dominated by desaturated earthy tones, deep shadows, and cold grays. The composition is grounded and heavy, emphasizing the stillness and the claustrophobic density of the woods at night.

"It has been called by many names, but it is known here as the evil in these woods." - #TwinPeaks

📷 Sony A7II + TT Artisan 50mm f/1.4 Tilt

#Photography #FineArt #FridayForest #BlueSkyArtShow #Art #tiltShift #tiltShiftLens #NightPhotography #SonyA7II #Sony @bskyphotos.bsky.social #DarkArt

thank you @yannoehl.bsky.social for the repost