Like this: boooooooooooooooooooooooooooooooooooooooooooooooooo
03.11.2025 17:48
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Like this: boooooooooooooooooooooooooooooooooooooooooooooooooo
@gregjenner.bsky.social just listened to your Edmund Kean episode of TGS. Loved it and loved the podcasts. 👍
I have a review of Sophie Anne Refskou’s book, Shakespeare’s Compassion, in the BSA’s journal, ‘Shakespeare’ www.tandfonline.com/eprint/MEUY9...
Okay, so turns out it was a cinema remodelled to look like a theatre. Fooled me!
On hols in Alcudia and stumbled on a beautiful an old theatre for lunch
Flying solo @theswan theatre tonight for Simon Russell Beale’s Titus.
#oer #medievalsky #chaucer #oa Plese repost: "THE OPEN ACCESS COMPANION TO THE CANTERBURY TALES, a free, scholar-produced resource for teaching and studying *The Canterbury Tales* at the University Level is at a NEW address: opencanterburytales dot lsusites dot org"
opencanterburytales.lsusites.org
Will it be available as an audiobook?
Our latest 🌟Newsletter 🌟 has rich provocations, articles, thought pieces written by a range of educators in the field, across sectors on :‘Boys And English, why are young men turning away…’ @kovesi.bsky.social editor + online event on 19th June to discuss.
englishassociation.ac.uk/newsletter-2...
Haha. I think he says the same tbf. Good luck.
AC Bradley’s Shakespearean Tragedy has something about this in one of the early lectures on the structure of tragedy. He discusses the loosening of tension in act 4 before the catastrophe in act 5. Can’t remember if he had a term for it (the shit bit?) but maybe try there?
I’ve got an essay in this edition. Looking forward to reading the other pieces. Thanks for the opportunity @kovesi.bsky.social
But where do you stand on the interrobang?
Who did this?
I was working last night and had this on in the background with the sound off and even I was affected to the point where I stopped and ended up watching with sound off. Some storytelling to achieve that.
