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Fabio Minervini

@minervini

Diga não a "diga não".

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Latest posts by Fabio Minervini @minervini

Contar pra vocês de uma conquista muito foda que rolou no trampo.

Em 2023 eu fui contratado como head of accessibility na Yape, o maior app de pagamentos do Peru, para iniciar o trabalho de tornar o bagulho acessível a leitor de tela.

09.03.2026 13:47 👍 121 🔁 33 💬 5 📌 12

A direita americana criou o Freedom Truck, mostrando uma versão distorcida e enviesada gerada por IA da história americana. Essa é pra vocês que achavam que vídeos de IA ajudariam nas aulas de história

09.03.2026 13:52 👍 29 🔁 11 💬 4 📌 0
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#OtD 9 Mar 1883 in Paris a large crowd of unemployed people led by Louise Michel and Émile Pouget brandishing black flags, looted bakeries, redistributed bread, and clashed with police stories.workingclasshistory.com/article/1091...

09.03.2026 14:55 👍 41 🔁 14 💬 0 📌 0

Parece aquela brincadeira: a cada like eu aumento a sobrancelha dele

09.03.2026 15:57 👍 1 🔁 0 💬 0 📌 0
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🇨🇴 Esquerda venceu as eleições Legislativas na Colômbia

O partido do presidente Pedro elegeu maioria no senado da Colômbia

09.03.2026 02:54 👍 592 🔁 103 💬 11 📌 16
Preview
Denuncismo: ódio e ressentimento na era do linchamento moral | Da Vinci Livros PRODUTO EM PRÉ-VENDA: DISPONÍVEL PARA ENVIO EM 10.04.2026 O que acontece quando a acusação se torna uma forma de punição? Denuncismo: ódio e ressentimento na era do linchamento moral, de Allana Marque...

Denuncismo: em pré-venda, com desconto.

09.03.2026 10:08 👍 12 🔁 5 💬 0 📌 2
Project Name Written Worlds funded by Leverhulme Trust at Birkbeck

Project Name Written Worlds funded by Leverhulme Trust at Birkbeck

cis7.bbk.ac.uk/vacancy/post...

Written Worlds 17C Non-elite Writing 2 x Postdocs 0.5. Please consider applying.

08.03.2026 13:23 👍 14 🔁 14 💬 0 📌 1

And some days you're the gnat "found crushed on the leaf of a lady's album": the unfortunate insect for whom James Montgomery writes a poem in 1827 (1st inscribing it in an album and then printing it in a literary annual). "Lie there, embalm'd from age to age!--/ This is the album's noblest page."

08.03.2026 22:34 👍 36 🔁 3 💬 2 📌 3

Jogam um Vorcaro no meio de campo mas aí o vorcaro falou com um Xandão q é outro Alexandre só que não, é outro sim, e o Lulinha q abriu o sigilo bancário e n tem nada tem prisão cogitada.

A confusão é proposital.
E funcional.

O nome disso é psyop.

2026 começou.
A eleição é logo ali.

08.03.2026 23:28 👍 324 🔁 90 💬 1 📌 4
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Hoje, e em todos os dias do ano, leia mais mulheres.

Inclusive mulheres que pesquisam e discutem sobre guerra, autoritarismo e violência.

Lançamento dessa semana, pela Editora Contexto.

08.03.2026 20:51 👍 299 🔁 70 💬 5 📌 2

Entendo. Eu tb me vestia assim qdo era adolescente.

08.03.2026 19:16 👍 1 🔁 0 💬 0 📌 0

Existe algum site contando quantos crimes de guerra a aliança EUA/Israel/OTAN cometeu nos últimos 3 anos?
Tem algum contador por país?

08.03.2026 18:06 👍 106 🔁 23 💬 1 📌 0
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Christ at the Column, 1476-1478 by Antonello da Messina

07.03.2026 21:13 👍 4 🔁 2 💬 1 📌 0
CALL FOR PAPERS: PERFORMING EVIL: the mediation and display of diabolic spectres, 1700-2000'. 4 & 5 June 2026, Leuven. 

This conference explores the tangled histories of supernatural, diabolic evil and all kinds of spectral apparitions in the last three centuries – Walter Scott’s ‘malignant and unhappy beings’. Specifically, it is interested in how and why ghosts, spirits and related apparitional phenomena were framed as diabolic, demonic or malign manifestations from the afterlife.

Diabolic connotations of ghosts and spirits did meaningful cultural work. They were mobilised to discredit ghost beliefs and spiritual practices, to delegitimise competing beliefs, or to invest doctrinal arguments with occult authority. They could also function as tools of scepticism and ridicule as well as triggers of wonder, fear and religiosity. Put differently, the nexus of ghosts and evil is deeply historical. And it was often articulated through performative means: in gestures and expressions of (dis)belief, in visual and textual representations, in séance rooms, on the stage and on the page. Emerging from this nexus are theatrical spirits of evil, staged, embodied, and made legible through mediation and display. In this sense, every ghost is a theatrical ghost. Through the focus on the construction and staging of diabolic spirits, this conference aims to develop a methodological framework for studying historical forms of occultism and demonology more broadly in terms of performance.

CALL FOR PAPERS: PERFORMING EVIL: the mediation and display of diabolic spectres, 1700-2000'. 4 & 5 June 2026, Leuven. This conference explores the tangled histories of supernatural, diabolic evil and all kinds of spectral apparitions in the last three centuries – Walter Scott’s ‘malignant and unhappy beings’. Specifically, it is interested in how and why ghosts, spirits and related apparitional phenomena were framed as diabolic, demonic or malign manifestations from the afterlife. Diabolic connotations of ghosts and spirits did meaningful cultural work. They were mobilised to discredit ghost beliefs and spiritual practices, to delegitimise competing beliefs, or to invest doctrinal arguments with occult authority. They could also function as tools of scepticism and ridicule as well as triggers of wonder, fear and religiosity. Put differently, the nexus of ghosts and evil is deeply historical. And it was often articulated through performative means: in gestures and expressions of (dis)belief, in visual and textual representations, in séance rooms, on the stage and on the page. Emerging from this nexus are theatrical spirits of evil, staged, embodied, and made legible through mediation and display. In this sense, every ghost is a theatrical ghost. Through the focus on the construction and staging of diabolic spirits, this conference aims to develop a methodological framework for studying historical forms of occultism and demonology more broadly in terms of performance.

Exploring how the relationship of spectrality and evil has shifted in shape over time and across different cultures, the conference invites contributions that can consider a wide range of historical actors – clerics, mediums, ghost-hunters, debunkers, necromancers, stage
performers, eyewitnesses.

This conference aims to study cultural intersections and interactions to arrive at a more granular understanding of discursive, practical and material connections between spirits and evil. At the same time this lens zooms out, making visible broader dynamics of knowledge construction in specific historical moments. How, for instance, did hauntings and possessions shape communities and audiences? How did religious or folkloric ideas about the devil inform spectral encounters?

We hope to bring together historians, art historians, theatre and literary scholars, folklorists and anthropologists from every stage in their career around the above questions. We welcome 20-minute papers on topics that include but are by no means limited to:
- making spectral evil visible: performance, arts, media, technologies, popular cultures
- making spectral evil invisible: popular and occult knowledge circulation
- performing (un)belief: practices and rhetoric, summoning and debunking on the stage (from popular stages to the lecture hall and the laboratory)
- materiality of spectres: the function of bodies and objects
- diabolic spirits and (intellectual, vernacular, theological, folkloric) ideas about morality, mortality and temporality
- occult performance and ‘cultural scripts’ of ghost encounters (from necromancy to poltergeists)
- affect and emotions: fear, grief, trauma… and hope

Send abstracts (c.250 words) and bios (c.100 words) to kristof.smeyers@kuleuven.be before 21 March 2026. Please do get in touch if you have any questions.

Exploring how the relationship of spectrality and evil has shifted in shape over time and across different cultures, the conference invites contributions that can consider a wide range of historical actors – clerics, mediums, ghost-hunters, debunkers, necromancers, stage performers, eyewitnesses. This conference aims to study cultural intersections and interactions to arrive at a more granular understanding of discursive, practical and material connections between spirits and evil. At the same time this lens zooms out, making visible broader dynamics of knowledge construction in specific historical moments. How, for instance, did hauntings and possessions shape communities and audiences? How did religious or folkloric ideas about the devil inform spectral encounters? We hope to bring together historians, art historians, theatre and literary scholars, folklorists and anthropologists from every stage in their career around the above questions. We welcome 20-minute papers on topics that include but are by no means limited to: - making spectral evil visible: performance, arts, media, technologies, popular cultures - making spectral evil invisible: popular and occult knowledge circulation - performing (un)belief: practices and rhetoric, summoning and debunking on the stage (from popular stages to the lecture hall and the laboratory) - materiality of spectres: the function of bodies and objects - diabolic spirits and (intellectual, vernacular, theological, folkloric) ideas about morality, mortality and temporality - occult performance and ‘cultural scripts’ of ghost encounters (from necromancy to poltergeists) - affect and emotions: fear, grief, trauma… and hope Send abstracts (c.250 words) and bios (c.100 words) to kristof.smeyers@kuleuven.be before 21 March 2026. Please do get in touch if you have any questions.

Hi all, if you are doing research on (d)evil-related histories 🗃️ I have just the thing for you: a conference in Leuven on 4 + 5 June!

Send me your abstracts in the next two weeks:

07.03.2026 17:37 👍 19 🔁 13 💬 2 📌 2

Queria sabe a percentagem da pop brasileira (e estadunidense tb) que acredita que o país Israel de hoje é a mesma nação da Bíblia

07.03.2026 19:47 👍 49 🔁 4 💬 2 📌 6
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Acreditamos em leituras que abrem caminhos!

07.03.2026 18:50 👍 85 🔁 30 💬 2 📌 3

ei, você 🫵😡

eu e mais 5 amigos (entre eles a @bebelecologia.bsky.social e o @marcosmorcego.bsky.social) ✨abrimos uma editora✨

a @aberturaeditorial.bsky.social

e vcs ajudariam MUITO seguindo nosso novo perfil ❤️

lá a gente vai soltar as infos do nosso primeiro lançamento nas próximas semanas!

07.03.2026 18:33 👍 377 🔁 185 💬 34 📌 7

Tem o fato de o desemprego estar aumentando tb para responder à pergunta de quem se voluntariaria a lutar no Iran.

07.03.2026 18:59 👍 1 🔁 0 💬 1 📌 0

Sim sim. Iluminati foi uma viagem. Talvez um mau exemplo do q ele estava querendo se referir.

07.03.2026 18:57 👍 2 🔁 0 💬 1 📌 0

Eu tb achei. Ok, Iluminati não dá. Mas é com uma gente meio assim q estamos lidando
bsky.app/profile/chri...

07.03.2026 18:32 👍 2 🔁 0 💬 1 📌 0
Preview
Sage Journals: Discover world-class research Subscription and open access journals from Sage, the world's leading independent academic publisher.

Leitura de Beyond Electoral Fortunes de Lucio Rennó (IPOL/UNB),Thiago Moreira e Eduardo Tamaki. Com dados longitudinais, eles estimam retenção de 91,9% do eleitorado bolsonarista. Hipótese confirma um mecanismo de formação de preferências orientado por "elites". journals.sagepub.com/doi/10.1177/...

19.02.2026 22:38 👍 24 🔁 8 💬 1 📌 1

Seis comigo.

07.03.2026 17:33 👍 1 🔁 0 💬 0 📌 0

"alexandre de moraes é um FUNCIONÁRIO do vorcaro"

vai ter que fazer uma tornozeleira eletrônica de crochê para combinar com a tanga

07.03.2026 16:05 👍 21 🔁 5 💬 2 📌 0

Tava no celular do Vorcaro, mas quem mandou?

07.03.2026 17:10 👍 0 🔁 0 💬 0 📌 0

E acesso fácil a tesouras!

07.03.2026 14:46 👍 0 🔁 0 💬 0 📌 0

Bão

07.03.2026 10:46 👍 2 🔁 0 💬 0 📌 0

"Não gosto de gato."

07.03.2026 10:21 👍 2 🔁 0 💬 0 📌 0

Será q se cavar bem, vão achar lavagem de dinheiro do Master via Will bank em patrocinios na Globo para além do Huck?

07.03.2026 10:20 👍 1 🔁 0 💬 0 📌 0

Monte Galu pariu um factoide. É isso?

07.03.2026 10:18 👍 0 🔁 0 💬 0 📌 0

Não sei se o Gabeira ia durar muito tempo no estado de natureza.

07.03.2026 07:19 👍 8 🔁 0 💬 1 📌 0