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December brings plenty of news, including the publication of Volume 5 of GAUDEAMUS! The issue is now available on our website, check it out! ⬇️
www.gaudeamusjournal.org/index.php/ga...
A big thank-you to the authors for their fantastic contributions! 🥳
Hello from our brand new social media accounts! We are excited to announce that GAUDEAMUS Journal is now on X, Bluesky, and Instagram! ✨
To know more about the journal and the submission guidelines, you can visit our website here 🔗 gaudeamusjournal.org t.co/C07zBI4jNL
Illustration of a man opening a door a transparent humanoid figure in the foreground
Illustration of a figure dressed for cold weather traversing a barren landscape, with a large shadow falling nearby
Illustration of a figure dressed in a red coat and shoes kneeling in a graveyard with its hands lifted towards the sky
A figure appears to flee from soldiers entering a building with a figure in a coffin in the foreground
Everett Henry drew these illustrations for a 1934 edition of Mary Shelley’s Frankenstein. A copy of the edition lives in Burns Library. Intrigued and want to browse it yourself? Visit us! #Frankenstein #MaryShelley
Re-reading Kari Kraus's essay "Conjectural Criticism: Computing Past and Future Texts" from 2009. Imho, still one of the best essays ever published in DHQ. Also a fascinating read in light of LLMs and the fate of textuality.
A tiny drawing of a face in profile with a big chin and pointed nose marks the text.
I small drawing of a face in the margin of a manuscript to mark part of the text.
MSS B.1.20, Instead of manicules, the reader of this 13th c manuscript used tiny faces to mark interesting points in the text. #marginaliamonday
mss-cat.trin.cam.ac.uk/Manuscript/B...
Captain Haddock looking very frazzled, saying, “What a week, huh?” Tintin leans into the frame and says, “Captain, it’s Wednesday.” Snowy is very excited about the drink he has found.
it's me, hi! ⭐
I'm interested in #TEI, #DSE, #Utopia, #theEarlyModernPeriod, #literarystudies, #DH, #translation among others!
