Imogen Reid

Line drawing/Text(ile), Layered Print on Saunders Waterford Paper

Excited to have my new chapbook, "Fabrication" published by @nicholasroyle.bsky.social & Nightjar Press. I'm delighted that it's been paired with @arthurmandal.bsky.social's"Old Tutor, New Tutor". Now available to order online here: nightjarpress.weebly.com/fabrication.... pic.x.com/Smq9DtGXU7

Thank you so much Richard!

Line drawing/Text(ile), Layered Print on Saunders Waterford Paper

Colonial morality has always assumed the inferiority of feelings described as 'irrational'. To feel requires a specific kind of reason—one rich in social knowledge and vocabulary of social critique. To feel is to be more than rational. To feel more fully is to be human.

Had such an amazing time talking to @hannahhg.bsky.social - I really hope you get a chance to listen

Line Drawing/Grid, Layered Print on Hahnemühle Laid Paper

#GetKeshed with @irishtimes.com. Big up Andrew Gallix for this excellent review in miniature 🙏

☺️

Line Drawing/Grid, Layered Print on Hahnemühle Laid Paper

Reflections on decoloniality as a buzzword in academia

From decolonise this and decolonise that to decolonial thought Plus..

How can we, then, move forward with this wounded world?

The short answer is through imagining and demanding a future that is at odds with this fascist, necropolitical present.

in.yourparty.uk/en/petitions...

Layered Print on Hahnemühle Laid Paper

Line Drawing/Grid/Text(ile), Layered Print on Hahnemühle Laid Paper

Thank you so much !

Three copies of Steve Ely's collection 'Eely' arranged against an orange background.

She travelled from the German Sea,
in search of the Azores Current, the mesopelagic
slip-road to the North Atlantic Gyre:
which she found in Cenozoic blackness
among the seamounts north of Flores...

'Eely'
Steve Ely
Out now
longbarrowpress.com/current-publ...

Untitled configuration (2025) by Emma Bolland: a display of pastel discs in the middle of a former Wilko, discs painted onto taped-up cardboard boxes, discs propped up on the rungs of ladders, discs scattered on the scuffed tiles.

"The last few years of apparent stasis and rapid, almost convulsive, change resulting in the creation of new spaces, the loss of old spaces, and the off-and-on of the meanwhile spaces in which many of Sheffield’s creative conversations happen."

longbarrowpress.substack.com/p/urban-vill...

Line Drawing/Grid/Text(ile), Layered Print on Hahnemühle Laid Paper

A drawing on hotel paper based on a simple printer's orament found in an 18th century Methodist pamphlet.

Call for papers!

INSCRIPTION 7 (out 2027) will be all about BLANKS. It will be (as ever) a BEAUTIFUL and MAXIMAL object.

Send us your ideas!

Historical / theoretical / creative / creative-critical -- or some strange blend.

First step: 400-word proposal + brief CV by 1 April 2026.

CFP attached.

A black & white image, of a small selection, of black pages from various editions of Tristram Shandy.

Cathy Galvin has interview me about the Vanguard Special Editions launched at the end of last year. You can read the interview here: thewordfactory.substack.com/p/spring-wor...

The Special Editions are still available at £40 (plus £10 p&p). Details here: richardskinner.weebly.com/vanguard-spe...

www.galeriearnaudlefebvre.com/outdoor

Transcribe and Translate

#Drawingsarchive
#studio_adiawahid

Likewise Kirsten, and thank you so much, that means a lot!

Thank you so much 🙏

Layered Print on Hahnemühle Laid Paper

Really delighted to say that the amazing 3:AM magazine has just posted my second essay on Joni Mitchell. Thanks so much to Andrew for publishing.

www.3ammagazine.com/3am/don-juan...