Matt Rogerson

South Dakota's "Meth. We're on it" campaign

I'll always remember Kristi Noem for the "Meth. We're on it." campaign.

We’re delighted to have come in at #8 in the Top 100 Greatest Cinemas in the WORLD, as ranked by @TimeOut.

It’s wonderful to be in such great company alongside so many fantastic cinemas in London, across the U.K., and around the world.

The cover of the book "Fulci's Inferno: Faith in the Films of a Horror and Giallo Auteur," featuring images from Lucio Fulci films, including a hanged priest and a scarred person's face from films in his Gates of Hell trilogy.

It's not *always* the priest, but … c'mon, it's always the priest. @1428publishing.bsky.social examines the famous Italian director's Catholic faith via his horror and giallo films in "Fulci's Inferno," new from @mcfarland.bsky.social.
mcfarlandbooks.com/product/fulc...

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Front cover for Darkest Margins: 24 Essays on Liminality and Liminal Spaces in the Horror Genre. Crimson hues and abyssal blacks show us an ominous doorway and who-knows-what beyond.

Until our (soon to be announced) website is live, follow us here and on instagram for updates on #DarkestMargins

Front cover for Darkest Margins: 24 essays on liminality and liminal spaces in the horror genre. In hues of crimson and deeper blacks, a nondescript Doorway opens onto an abyss void of black.

Back cover for Darkest Margins. Hues of crimson and black form an ominous forest.

#DarkestMargins features 24 essays on liminality and liminal spaces in the horror genre

COMING SOON!

Front cover for Darkest Margins: 24 essays on liminality and liminal spaces in the horror genre. In hues of crimson and deeper blacks, a nondescript Doorway opens onto an abyss void of black.

Back cover for Darkest Margins. Hues of crimson and black form an ominous forest.

#DarkestMargins features 24 essays on liminality and liminal spaces in the horror genre

COMING SOON!